Type: Journal Post
Time: November 5, Morning
It's 3 am and another restless night of drool soaked pillows and rabbit foot in my eye, because some how Bunnymund has it in his head that it's alright to share said pillow while
he's happily off to lala land. A subconscious place in between sleep and awake called limbo, where I am touched by a vague voidness because of my constant shifting during the evening that stops me from dreaming. Where is the Sandman when you need him the most? My contorted limbs would be forever grateful if I didn't wake from that state in an awkward position, like I've been possessed, every single time. I'm starting to scare my roomie. Sorry pal~
The moon spilling through the window pane next to my bed pulls me from this state of mind, giving me a firm place to plant my feet back in reality and I am awake yet again. But I love this time of year, Autumn is the seasonal bridge to the coming Winter. Is it possible to feel an odd sense of 'home' during a particular season? The ol' gal at the shoppe said she thinks so, if there is a feeling of familiarity, content and calmness in my heart for it. But I'm wondering if I should even take advice from a woman that has a nest in her hair that houses a family birds. I heard them chirping, I swear. She hasn't shown me yet, but I'm positive they are hiding in there somewhere. I'm just lucky she learned to speak Jack early on.
Just in time, I can sit on the window sill and watch as the cool air creep along the pane of glass in the form of a thin sheen of frost. The invisible paintbrush creating a free hand pattern at time laps speed, it calms me to watch. When the silver light of the moon is now filtered by the crystallized canvas that enhances it's appeal. I want to show someone, but I am pretty sure no one would appreciate being woken abruptly (because I can't be gentle about it) for something that only I seem to take a deeper notice. And when evening transitions with the rise of the sun over the trees, natures natural painting takes on a glow that reflects the face of morning. Reds, pinks and orange it reminds me a little of Monet. Maybe it fascinates me that with one beautiful backdrop, it can have two completely different sides. All their own unique beauty, but I can not help but believe that it wouldn't be quite as awesome if it did not have the face that it started with. Otherwise, the morning and evening faces against the frosted pane wouldn't exist.
3 am rambling, I should have probably spent this time doing that paper. I'm still calling shenanigans on this. Can't I just bang erasers together or write lines
on the chalk/white board? Or even clean the Hippogriff pen?