video/action.
18 March 2012 at 03:13 am
video. (backdated to mid-afternoon)
Everything has turned out kind of funny, strange— well, in a really good way, I mean.
[ alois trancy, too feminine, baby-face with springtime sky giant daydream crumb eyes, is resting his chin against the edge of a desk. familiar to some, and not to others, pretty and light voiced. he isn't looking directly at the camera, he seems half preoccupied with watching something else not far off screen.
there are crayons, watercolors, paintbrushes, and pastel covered pieces of paper close by, even under chin. ]
I think I might be a little scared, [ understatement, ] by how wonderful things have gotten so quickly. What if I waste too much time blinking and everything good flies away? Only the best of the best, the things really worth having, like to fly off or drop dead. It always happens, and I keep expecting it not to happen at all, even though I know it will. I'm not so sure I'm not only just sleeping right now. It's so strange, things are so strange. [ there's a pitch in his voice here; his own reality is shaking him. when you go from being locked up without anything for four years, expect being beaten, and a quiet house, to have the things you desire most drop into your lap in rapid succession—isn't that cause for constant panic?
don't you want to cling tighter?
this is alois, now.
too long lashes lower half-way (they can't see it, but he's gazing at unprofessionally painted swans and adonis blues), ] I might be falling in love with Marina. Sometimes I have to close my eyes and make sure my heart hasn't stopped beating, run out of steam, from all the things pouring into it. I'm really—
Ah! [ suddenly, he's sitting up very straight, looking much more attentive than he had. ] That's right. An order of business: Ciel Phantomhive, just how long do you intend to avoid me?
( (optional) action. )
Everything has turned out kind of funny, strange— well, in a really good way, I mean.
[ alois trancy, too feminine, baby-face with springtime sky giant daydream crumb eyes, is resting his chin against the edge of a desk. familiar to some, and not to others, pretty and light voiced. he isn't looking directly at the camera, he seems half preoccupied with watching something else not far off screen.
there are crayons, watercolors, paintbrushes, and pastel covered pieces of paper close by, even under chin. ]
I think I might be a little scared, [ understatement, ] by how wonderful things have gotten so quickly. What if I waste too much time blinking and everything good flies away? Only the best of the best, the things really worth having, like to fly off or drop dead. It always happens, and I keep expecting it not to happen at all, even though I know it will. I'm not so sure I'm not only just sleeping right now. It's so strange, things are so strange. [ there's a pitch in his voice here; his own reality is shaking him. when you go from being locked up without anything for four years, expect being beaten, and a quiet house, to have the things you desire most drop into your lap in rapid succession—isn't that cause for constant panic?
don't you want to cling tighter?
this is alois, now.
too long lashes lower half-way (they can't see it, but he's gazing at unprofessionally painted swans and adonis blues), ] I might be falling in love with Marina. Sometimes I have to close my eyes and make sure my heart hasn't stopped beating, run out of steam, from all the things pouring into it. I'm really—
Ah! [ suddenly, he's sitting up very straight, looking much more attentive than he had. ] That's right. An order of business: Ciel Phantomhive, just how long do you intend to avoid me?
( (optional) action. )
Link
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