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arbre_rieur ([info]arbre_rieur) wrote in [info]scans_daily,
@ 2009-07-30 22:11:00

Previous Entry  Add to memories!  Tell a Friend!  Next Entry
Entry tags:char: spawn/al simmons, creator: alan moore, creator: tony daniel, series: when alan moore was crap

When Alan Moore was crap
The 90s has a rep as a bad time for mainstream comics, and rightfully so. It was some terrible black hole of awfulness, sucking even normally decent writers into its depths. It was almost as if anything produced in the 90s (yeah, yeah, there were a couple of exceptions) would automatically suck, simply because it was 90s, and if a comic was made in the 90s, it was going to be terrible. Because it was the 90s.

Even Alan Moore managed to be complete crap in the 90s (though he recovered towards the tail end of that decade). Some of his work during this period is really appallingly bad. As evidence, I present to you the two-lane pile-up in mini-series form that is Spawn: Blood Feud.



So, something is going around viciously slaughtering people in New York. Meanwhile, Spawn is having strange dreams.





Sadly, half of the series is sequences like the above: page after page of hilariously purple prose about how much Spawn's costume loves to hunt and kill. Gah. Actually, it's probably less than half, but it feels like that much, what with how tedious it is.

Spawn is feeling frustrated about how he has absolutely no idea what his costume really is.



Meanwhile, the police hire a specialist to deal with the murders. This guy's a Moore creation, a celebrity paranormal investigator, yet he somehow still manages to be utterly uninteresting as a character.





Some of what the warning flyers say, per a later page: "Advise citizens to stay indoors after sunset... warn that although folk talismans such as crucifixes or garlic may prove effective, they are not to be relied upon..."

The thing killing people is off killing people again. For these sequences, Moore's been pulling an old trick from his playbook and showing it all from the killer's perspective.



Spawn awakens from another of his costume dreams to discover...



The first issue also contains a curiosity in the form of thumbnail sketches that Moore that submitted with his script.





Do you guys want to see pages from the remaining issues of this mini-series, or are you wailing, "No! No more!" Please let me know. If it's the former, I'll post more, but if it's the latter, I'll just skip straight ahead to the project where Moore reached the nightmarish peak of his early-to-mid-90s awfulness: the Spawn/WildC.A.T.s mini.


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[info]halloweenjack
2009-07-31 04:46 pm UTC (link)
Moore had a bad run of luck in the late eighties/early nineties, mostly due to the collapse both of Tundra Publishing, which was handling most of his independent work at the time, and his marriage. I see this sort of thing both as a purely-to-pay-the-bills sort of thing, and also more impetus to do stuff like 1963, his retro run on Supreme, and eventually America's Best Comics.

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