floating in a tin can
I would like to watch you sleeping, which may not happen. I would like to watch you, sleeping. I would like to sleep with you, to enter your sleep as its smooth dark wave slides over my head

and walk with you through that lucent wavering forest of bluegreen leaves with its watery sun & three moons towards the cave where you must descend, towards your worst fear

I would like to give you the silver branch, the small white flower, the one word that will protect you from the grief at the center of your dream, from the grief at the center I would like to follow you up the long stairway again & become the boat that would row you back carefully, a flame in two cupped hands to where your body lies beside me, and as you enter it as easily as breathing in

I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed
& that necessary.

- margaret atwood

June 2017

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Posts Tagged: '1969.02'

Nov. 19th, 2013


[info]jewsinspace
[info]spaceodyssey

[info]jewsinspace
[info]spaceodyssey

SEXY SADIE


[info]jewsinspace
[info]spaceodyssey
February 27, 1969
Meredith feels like she's being stared at. By everyone. It's intimidating.

Usually she doesn't get noticed much, and sure, she'd like some attention, but this is just crazy. Of course she knows it's not actually her they're all staring at, but it still makes her nervous. How do other girls deal with it? This girl, the one she's leading around, doesn't exactly look like she's reveling in it either, though. She must have a different disposition than Joanie, who always seems cool as a cucumber no matter how many men fawn over her.

This girl's look is much different than Joanie's, too, which is probably why everyone is staring. Meredith can't deny it's a bit shocking, how tall and slim and modern she is. Just like Twiggy. This must be what seeing a celebrity in person is like: realizing someone is so cool it's beyond your understanding.

So why did she ask for Mr. Ginsberg?


Stan Rizzo is smoking a cigarette and frowning at a set of thumbnails when the door to the office opens. He smirks to himself as he starts to turn in his chair.

“So, what did Peggy say? Do we get to make it rain chee-oly shit.” That is not Ginsberg.

Nov. 3rd, 2013


[info]lunistice
[info]spaceodyssey

[info]lunistice
[info]spaceodyssey

you were famous, your heart was a legend


[info]lunistice
[info]spaceodyssey
February 10th, 1969
When Lee wakes up, she does not immediately recognise her surroundings. This doesn't alarm her very much. This happens all the time, she gets blackout drunk, passes out, and wakes up somewhere she doesn't remember. She's not drunk, though, she's not even hungover, which is different. What else is different - when she forces her eyes open, she sees the room is only half-furnished. Not like a hotel room, but not like somewhere anyone lives, either. It's confusing and makes her sit up and peer around. No. She stayed over at Michael's last night. That's what this room is, his bedroom.

That's right. It had been too late for the trains and she didn't want to call a cab. She hadn't worried about propriety, because who would know or care?

That said, the rejection by Michael's father still stings. It's strange, Lee has never had to think about her reputation before, she's had more immediate concerns like finding money, food, and a place to sleep, and fleeing the terrible madness that rears its head occasionally in order to ruin her life. Back home she had a different set of circumstances and among her circle with Rich's friends or at the Factory, nobody cares what she does with her time or her body and in fact they encourage depravity. Be a slut, do whatever you want, Rich says all the time. But now, elsewhere, with other people - they see her as a woman and suddenly her reputation is a problem. Suddenly it's relevant, people care who don't even know her, and it matters more than anything else - more than her character, her political opinions, whether she's kind to children or animals. Who she's screwing and who her friends are screwing is the most important thing now. Suddenly she's the one parents don't want around their sons.

Strange.

It's daylight outside, but a pale grey light. Must still be overcast. It makes it hard to guess the time, but Lee figures it's late morning. Monday. The bed is empty, she just figures Michael already went to work and she slept through it, which is typical for her, she could sleep through a cyclone. She hears the door open, and footsteps, but still half-asleep, doesn't connect those noises to any thoughts. Instead she rolls over and pulls the sheets over her head, moaning her flat refusal to acknowledge the morning. She doesn't want to get up. She's sure out of bed it's going to be ice cold again, and if her feet touch the floor before it's heated she will actually literally die.