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Vengeance is Thine: Authorized Cruelty in the Potterverse

The World of Severus Snape

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Vengeance is Thine: Authorized Cruelty in the Potterverse

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(Including the Final, Definitive, Explanation of why Severus Snape couldn’t possibly be considered a Hero™)

Miss Manners once explained how a Perfect Lady can be a feminist. Someone had argued to the contrary on the grounds that a Perfect Lady always puts the needs of others first whereas a feminist asserts her own rights. “Ah,” said Miss Manners, “but of course a Perfect Lady must by definition be a feminist. Dear me, no, not to assert her own rights: to defend the rights of her fellow women.”

Harry receives revenge; he never takes it. But he does avenge others.

Revenge and self-defense are selfish, in the Potterverse, and only Bad People would stoop to them (or good people doing wrong temporarily). But if you’re defending or avenging someone else, anything goes. Anything.

Moreover a Good Person can tell instinctively who’s a Mean Person who deserves to be punished. And JKR sets it up so the reader (if not always the Good Person character) already knows the crimes for which the Mean Person is being punished, so we buy emotionally into the satisfaction of vengeance.

Vengeance is mine, saith the Lord.

In the Potterverse, that translates to other characters giving Harry vengeance on those who’ve hurt him while he stays morally pure and keeps his hands clean. After his vengeance is complete and his enemies have suffered enough, Harry can then nobly extend his hand in forgiveness. To Dudley, to Draco, even to Snape.

Meanwhile Harry performs the same service for others. Harry can’t manage the Cruciatus against those who killed his godfather or his mentor—but he can do it to Amycus, who never harmed Harry. In the Potterverse, that’s called being gallant. (Note that the few times Harry DOES attack someone on his own behalf, he’s wrong, he knows it, and he suffers emotionally and usually physically over his actions: blowing up Aunt Marge, attacking Draco with Sectumsempra.)

Harry’s Cruciating Carrow in Book 7 is just the logical extension of Hagrid’s giving Dudley a pig’s tail in Book 1.

Look at the pattern.

Dudley bullied Harry when Harry was helpless. Harry gets to watch Hagrid, the twins, Dementors, and Dumbledore all hurt Dudley; Harry then nobly saved Dudley from worse than death and magnanimously accepted Big D’s farewell.

Petunia and Vernon Dursley bullied Harry. Harry gets to watch them be terrorized by the owls and Hagrid, helpless to defend their son, threatened by Moody, driven out of their home… none of it his doing. The ones who had abused their power over him made completely impotent. But he doesn’t hex them himself, oh no!

Quirrell, in trying to hurt Harry, kills himself.

Gilderoy attacked Harry and Ron. Gilderoy’s own spell backfires on him, and Harry and Ron get to observe that he never, ever, recovers.

Umbridge hurt Harry. To defend Harry, Hermione sends Umbridge to be gang-raped by a herd of centaurs. Harry gets to see her afterwards in the infirmary, too traumatized to speak.

Marietta betrayed Harry; Hermione mutilates her.

Draco is mean to Harry. Draco is turned into a ferret and slammed repeatedly into a stone floor; Draco and his family are tortured by the Dark Lord; Draco’s best friend is killed by his own spell, and then Harry rescues Draco from its lethal effects.

Snape is mean to Harry, repeatedly. Mean Snape! Whenever Harry tries to get revenge directly, he’s slapped down. But Harry is privileged to watch Snape’s worst humiliation and defeat at the Marauders’ hands. Harry can’t touch Snape when dueling him, but he watches Buckbeak hurt him, and at the end, Harry actually gets to be inside Voldemort while Voldie kills Snape. Then Harry nobly approaches his dying enemy and saves the day by accepting his memories.

Voldemort is mean to Harry. Voldemort, of course, kills himself because his curse rebounds off Harry’s nobility.

Look at Harry’s own cruelties. He hexes Filch, but Filch is a sadist who has threatened (mostly impotently) every student at Hogwarts. He hexes Slytherins “to general applause”, because they’re all bad and nasty. Goblins cheat other wizards; Harry cheats them. Amycus Cruciates other students, but not Harry, and spits on Minerva; Harry Cruciates him.

Now look at the last battle: Bellatrix had destroyed Neville’s parents and Cruciated the boy… and Neville gets to watch Molly kill Bellatrix in defense of children. Dolohov had hurt Hermione; Flitwick kills him in front of her…. No one takes on a personal enemy (except maybe Hagrid going after Macnair, and even there Hagrid would be doing it for Buckbeak).

And Harry’s only vision of adulthood is to be an Auror: someone authorized and approved to use violence against others, not in self-defense, but to protect—anyone else.

How satisfying this is! As a Harry-identified reader, I get to have my cake and eat it too: I get full, physically-realized (usually described in sweet detail) vengeance against everyone who ever hurt me. I get to watch my enemies tormented physically and mentally, tortured, killed even. But my hands are clean: none of it is my fault.

Meanwhile nothing I/we do (hexing, permanently mutilating someone, setting up someone to be gang-raped, torturing, killing) besmirches us, because anything I/we are doing is in the gallant defense of others, and that can never count as bad.

Never. No matter what.

What a seductive version of morality.

It’s like that parable of Heaven and Hell: the tables in both are laden with delectable food, but the utensils are too long for anyone to feed themselves. So in Hell, everyone starves; in Heaven, everyone feeds the person across from them.

But in the Potterverse, the dish in “Heaven” is vengeance. Sauced with whatever degree of sheer cruelty one can stomach. Can you endure to perform Avada Kedavra and the Cruciatus? No? How about slipping a hungry, moronic child some Ton-Tongue Toffee? Pick the degree of pain and humiliation you’re willing to inflict, the degree you’re willing to witness, and enter the carnival where the people YOU hate are punished with no guilt to you! While you hex, torture, kill, people to whom you’re indifferent, also with no guilt for you. Because you’re doing it for others, not for yourself.

No one starves; no one goes without enjoying the torture-death of her enemies or the pleasures of sadism, as long as she accepts the basic rule: Feed one another!

How… nice.

Which of course is Severus’s problem. He’s not nice. He wants to take his revenge, not wait for another character to hand it to him and then make nice forgiving his enemy.

Which is why, per JKR, no one could possibly see Snape as a hero. He keeps wanting to settle his own accounts, whether with James or with Voldemort.

Just look at him at the end of POA, practically slavering at the thought of capturing Lily’s betrayer. Some might be misled by the fact that, unlike Sirius, Severus apprehends (who he thinks is) the traitor and turns him over to what passes in the WW for “justice” rather than trying to kill him directly. But if Severus were a hero™ like Harry, once he saw how much Sirius had suffered already in Azkaban he would have forgiven him and not gone after him.

Contrast Remus, who never went after Sirius and hid information that would have led to his capture, even while believing that Sirius was a traitor, a killer, and a present danger to Harry.

See, we thought that Remus was being irresponsible and weak, and putting saving face with Dumbledore above his responsibility to protect children; really he was showing how merciful he was. Sirius had already suffered, so a nice guy would forgive him. Severus may have been justified logically given what he knew, but the text conclusively proves that what Severus actually did was wrong.

(As Ann Rule said of Dickens, “Plot is the great moralizer.” JKR establishes that Severus was really wrong to pursue Sirius, Remus was right to shelter him, even though neither man could have known that on the facts they had at the time.)

Sirius and Remus show their true mettle by allowing Harry to persuade them to be merciful to Pettigrew (which in practice meant to substitute capturing for killing the traitor: what Severus was trying to do all along, but Severus was trying to do it to someone, Sirius, who had already been punished). And neither of them went after Pettigrew later, whereas Snape was mean™ to Wormtail when he had Wormy parked on him as a spy. He should have been nice to Wormtail and mean to someone else.

Moreover, in the Severus/Sirius hostility in OotP, Severus is motivated by his “schoolboy grudge”. Jeez Louise, being upset because someone tried to get you torn to bits by a werewolf and still asserts that you “deserved it” for the sin of wanting him to be expelled for the numerous crimes he had, in fact, been committing. How petty can some people be? Can’t you be satisfied by the fact that your enemy spent twelve years in Azkaban for an unrelated crime? Sirius, on the other hand, is equally eager to row with Snape—but he’s motivated by Snape’s mistreatment of Harry, so nothing he says or does is blamable. Got that straight, now?

See, what Severus should have been doing was be nice to Sirius (since Sirius had already suffered™) and taken out his temper by throwing Unforgivables at someone else’s enemies. Hermione’s, maybe, that would work. Filius’s, at a pinch. Because it’s not what you do, not what actions you commit that matter, it’s whether you’re doing it on your own behalf or unselfishly for others.

Now too we can understand why Lily and James put up such a spirited defense when Voldemort came calling. JKR had to avoid any slightest appearance that they might be defending themselves. Sure, James comes off as a feckless idiot, and Lily as exhibiting the “learned helplessness” typical of a long-term abuse victim, but what we’re meant to take from their behavior is that they are True Heroes™: they will do nothing whatsoever to save themselves but anything to save another, like throwing themselves ineffectually in the way of the danger.

(So in the movie version of POA, that visually dramatic scene of Snape throwing himself in front of the children—instead of doing something useful like, say, grabbing Hermione’s wand and blasting the wolf—is meant to show us that the director did want us to see Snape as a hero™.)

Now we come to JKR’s final indictment of Snape. Unlike James and Lily in Godric’s Hollow and Harry in the Forest, when Voldemort attacked him, Snape raised his wand in self-defense.

What more proof could we need that Snape was never a hero? No wonder the poor author is confused by all the Snape-philes out here!
  • Just jumping in briefly to point out something about Harry's failure to cruciate (what a word!) Severus. So many of us had assumed that Severus was protecting Harry by keeping him from throwing an Unforgivable. But, Rowling tells us, we were wrong. Snape was not protecting Harry by blocking the curse; he was merely mocking him. And, in DH, she goes out of her way to prove Severus wrong as often as she can. This, IMHO, is why Harry gets to cruciate Amycus. She has to show that he does have the nerve and the ability. Because torture isn't really wrong when the good guys do it.

    But there is another thing. We don't know that Harry couldn't have tortured Snape, because Snape blocked the curse. We do know he couldn't torture Bellatrix effectively, but we don't actually know that Harry couldn't torture Snape, because the boy never gets the chance to try. What we learn in that scene - what I learned, anyway - is that Snape is an awe-inspiring fighter with tremendous self-control. And I'm sure that's not the lesson Rowling intended to impart. Thus the corrective above, because, as I said, in the end Snape must not be allowed to be right about anything. Ugh!

    But you, and Terri, are absolutely right about the consistent pattern here. It's very strange - a combination of vindictiveness and passivity that make both almost more repellent, IMHO.
    • Cruciatus

      I still think that Severus was protecting Harry at the time--that whole scene is Severus protecting and teaching Harry one last time, and I don't think that's an exception. And if you look back at how Severus chose to punish Harry for Sectumsempra, it was by trying to make him confront his father's misdeeds. That JKR chose to make Harry a successful and conscienceless torturer doesn't indicate that Severus would have condoned it.

      And yeah, Severus totally 'owned' Harry throughout the flight. What was it Jodel said? Something to the effect that JKR gave us Snapefans the UberSnape of fanon in HBP, then took him away again in DH.

      However, for purposes of the argument, Harry being unable to torture Snape because Snape outfights him is still Harry not being allowed by the author to torture his worst enemy.

      Yeah, it made me quesy when I spotted the pattern. Even more so that it took me so long, and that I'd originally read the books cheering on Dudley's tail and so forth.

      Thanks for your comments, Mary!
      • Re: Cruciatus

        Oh, I do think Severus was teaching and protecting Harry all through that scene; I agree with you that there's no other way to read it. But how, then, do we read the torture scene with Amycus? Given Rowling's statements about Snape after DH was published, I'm convinced she meant to show that Severus was wrong about Harry. IMO, that shows Severus as a better person than Harry, but that's just my pov!

        And she does seem to go out of her way to prove Severus wrong and Harry right in DH. Another example is occlumency - Severus tells Harry to block his emotions, which Harry can't do; Rowling says in an interview that Harry will never be able to do this because, unlike that natural bully Draco, he can't compartmentalize his emotions - and then we discover that Harry can occlude Voldemort almost effortlessly, without any discipline or instruction at all, by focusing on strong emotions which are alien to Voldemort. Harry's right and Snape is wrong. That really drove me nuts in the book, because i happen to think that practice and discipline are good things.

        But I'm way off track here. Just wanted to add that my sister loved your comment and agrees with you. Of course Snape is a hero! (I think so too, obviously.)
        • Re: Cruciatus

          Given Rowling's statements about Snape after DH was published, I'm convinced she meant to show that Severus was wrong about Harry. IMO, that shows Severus as a better person than Harry, but that's just my pov!

          I think Rowling managed something I wouldn't expect to be possible - she created a character with more solid morality than she has in person. Though she did it completely unintentionally. With Dumbledore she intentionally tried to create a character that is a lot more intelligent than she is, which is why people who take this aspect of him seriously end up seeing him as cruel or uncaring (because they don't have the escape of 'well, he obviously didn't know, or couldn't foresee these consequences'). With Severus I'm still not sure how she did it.
          • Re: A character more than oneself

            Don't be silly. You know how she did it. By writing about humanity. If she got it right at all, some of what she wrote was people operativing at a lower level than her finest; some was at that (JKR's nominal) level. Some exceeded.

            I've written, I hope I've written, characters acting better than I usually do. Though, I sincerely hope, not better than I might do at my best? But saying that, I'm expressing a hope about me, not about human capacity. I know that there are people who act better than I usually do, and that knowledge incites me.

            I've also written characters acting worse than I usually do, though that interests me less. Unless it's the slow painful slog back up....
            • A character more knowing, vs. just better-acting, than oneself

              I get what you mean, but I'm with Oryx on this, on some kind of a gut level.

              There's just this strange sense I get, from reading JKR's story and comments, that this author is capable of deftly portraying people whom, not only does she not resemble but also, she doesn't even appear to *understand*. Writing characters who *act* better than how you would act is one thing; writing characters who operate on a moral compass that you don't seem to possess yourself is a whole 'nother shade of astonishing. It's like if you were deaf and yet could sing in perfect pitch. That's the kind of vibe I get, at least, when it comes to Snape's (and several other characters') storylines.

              JKR's characterization of Snape, especially the present-day Snape, is a beautifully consistent portrayal of a person with a solid view of what's moral and what's immoral. He's driven to do both good things and bad things, but the ways in which he is driven, in both cases, make perfect sense for better or worse. He also appears to feel consistent reactions to good and bad deeds, including his own, which is also an important indicator of who he is inside. In other words, he doesn't read as a kind of person who might Imperius Goblins out of necessity and then feel totally unconflicted about the fact that it had to be done (Snape lies and spies out of necessity and appears quite pained by this), nor a kind who might Cruciate an enemy for no strategic necessity and then feel okay about this behavior (he never uses that particular curse as far as we know, and is shown to repeatedly go out of his way to avoid inflicting physical pain on those weaker than him and/or in a disadvantaged state, even when he is emotionally driven to hurt them). And this portrayal of his character is extremely consistent; he lives and breathes as a realistic man with a lot of failings but in possession of a strong moral backbone running right through the center of his nasty, sarcastic being.

              That moral consistency seems absent in JKR, so far as we can tell from her public comments and the narrative structure of HP. It wouldn't be weird if she seemed to *have* that same moral compass and just not predisposed to acting on it. But it sounds to me like she doesn't even understand the specific brand of morality that Snape has, a lot of the times. That strikes me as bizarre, and kind of miraculous. But then, she's very talented at intuitively constructing realistic characters. Snape is not her only example: Dumbledore is so lifelike as a broken personality he gives me the chills.
            • Re: A character more than oneself

              I've written, I hope I've written, characters acting better than I usually do. Though, I sincerely hope, not better than I might do at my best? But saying that, I'm expressing a hope about me, not about human capacity. I know that there are people who act better than I usually do, and that knowledge incites me.

              I can understand being able to write a character following your own moral system more consistently than you would in real life. What I find hard to understand is portraying a realistic character who is following a different kind of moral system - especially if I don't see signs that the author analyzed the moral system in question and recognized its strengths (as well as its limitations). How can such an author put hirself in the shoes of the character?
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