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dr_hermes ([info]dr_hermes) wrote in [info]scans_daily,
@ 2009-09-04 23:27:00

Previous Entry  Add to memories!  Tell a Friend!  Next Entry
Entry tags:char: magneto/erik magnus lehnsherr, char: marvel girl/phoenix/jean grey, char: professor x/charles xavier, creator: jack kirby, creator: stan lee, publisher: marvel comics, title: uncanny x-men

The real source of the X-Men


Every comic book, cartoon and movie featuring the X-Men should in all fairness have a credit on it somewhere, "Inspired by the 1945 'Baldy' stories of Henry Kuttner and Catherine L. Moore."

I'd read some stories by Henry Kuttner that I thought were clever and amusing (the Hogbens series, the one about Gallagher the drunk inventor) and some that seemed tedious and lame (those uninspired Elak of Atlantis epics). But until I found myself lost in MUTANT, I didn't quite realize how astoundingly good Kuttner (and his wife Moore, usually collaborating to some degree, here as "Lewis Padgett") could be. This is the real stuff, genuine pulp style science fiction. It's full of inventive details and clever plot twists, with a strong premise that today seems to have a even stronger appeal for readers than it did back then..

Created by atomic radiation, a new race of bald telepaths fights a desperate secret war between their two factions of the sane and the paranoid mutants. The paranoids (who at one point are mockingly called "Homo Superior" as compared to Homo Sapiens) see themselves as godlike supermen inevitably destined to conquer and rule the pitiful normal humans. The sane mutants are struggling desperately to keep knowledge of even the existence of the paranoids from become known, fearing that vastly more numerous normals will massacre them all. It's not a simplistic struggle between pure good and evil, as even the sane Baldies resent being forced to submit and bow their heads, keeping a low profile in the hopes that their children will be fully assimilated.

(Did Stan Lee ever mention in the letters columns that he and Jack Kirby had enjoyed the 'Baldy' stories by Kuttner? Certainly, they both had read a lot of pulps back in the 1940s, Kirby even illustrating some of them. As Jewish men alive during the Holocaust, did the 'Baldy' stories have special resonance for them?)

All the mutants are born completely hairless, but in an attempt at blending in and going unnoticed, most of them wear fake eyebrows, eyelashes and wigs. At first, the more defiant and unruly mutants go around natural (I'm bald and I'm proud!), but widespread lynching dampens that trend. We as readers following the Baldies can see they are mostly honorable and discreet, would never use their telepathic abiities unfairly and in fact go out of their way to do useful constructive work in their careers. Still.... you can see how just knowing there are people out there who can literally read your mind without your knowledge or consent would be seen as threatening. And who doesn't have dirty little secrets and vices they want to keep hidden? (Put your hand down, you in the back. You're as bad as the rest of us.)

Although they can communicate freely with each other, the Baldies can only read a normal human's surface thoughts; it's a real effort to put a thought into a person's mind, and there's no sign that Baldies can mentally coerce anyone, let alone brainwash or control someone's actions. This makes them still dangerous but much more vulnerable and recognizable than Marvel mutants who can blast destructive rays from their eyes or make Army tanks fly apart. In addition to the tension of the desperate underground war going on unsuspected by the normal humans, the "Baldy" series also has an intriguing backstory that is gradually revealed.


[An incredibly lengthy review of the "Baldy" stories can be found over on my Retro-Scans site, for those who are interested. One more indication of how Lee and Kirby were deriving the X-Men from the "Baldies" is shown in how Magneto also had telepathic powers in the earliest issues. He was not as capable as Professor X, but he could scan minds and astral travel. This was quickly dropped, but it is an echo of Kuttner's vision of two groups of telepathic mutants warring with each other over humanity.)



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[info]stratosfyr
2009-09-05 03:39 am UTC (link)
Neato! I need to look that up.

Have you ever seen "The Man in the Sky!", Ditko and Lee's proto-mutant story from Amazing Adult Fantasy #14? Again about a guy with telepathic and telekinetic powers. At the end of the story, he's telepathically contacted by a guy who in retrospect looks kind of like Ian McKellen.

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[info]dr_hermes
2009-09-05 04:08 am UTC (link)
Wasn't that posted here? I do remember reading it and enjoying it.

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[info]strannik01
2009-09-05 04:53 am UTC (link)
It was posted at the old scans_daily. I don't think it was ever reposted here.

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[info]dr_hermes
2009-09-05 05:23 am UTC (link)
Ah, so much has been lost. I mean, nearly every comic from the old scans_daily could be found if you put effort into it. But the commentary and insights and banter has faded into the ether.

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[info]blakeyrat
2009-09-05 05:49 am UTC (link)
Odd John by Olaf Stapledon was published in 1936, that seems to be a more likely source of a common inspiration for all these comics. At least IMHO.

http://en.wikipedia.org/wiki/Odd_John

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[info]dr_hermes
2009-09-05 06:24 am UTC (link)
I was surprised and slightly depressed by ODD JOHN. Years of reading other science-fiction books like SLAN and Henry Kuttner's "Baldy" stories (not to mention Marvel Comic's X-MEN*) had led me to expect a tale of a noble young mutant unfairly oppressed by a heartless humanity and only fighting back when forced to. No such thing. John Wainright is, from a normal human viewpoint, a monster. From childhood on, he uses his enhanced intelligence and telepathic powers to manipulate and experiment on people with no regard for their welfare. This is more realistic, I suppose, than the altruistic supermen who fight for the mankind which scorns them, but it is unsettling to read unless you're expecting a horror story.

Aside from the policeman he cold-bloodedly stabs to death (the ten-year-old John had been committing burglaries in the neighborhood to gather some capital), our protagonist kills a number of people who get in his way, with no sign of remorse or regret. When he takes his motley crew of mutants to found their experimental colony in the South Pacific, they ruthlessly compel the natives already living on the island to climb up on a huge pyre and expire, their bodies burnt away. Just so these normal folk are not in the way of their betters.

John even makes a speech to his human follower "Fido", "Well, if we could wipe out your whole species, frankly we would. For if your species discovers us, and realizes at all what we are, it will certainly destroy us. And we know, you must remember, that Homo Sapiens has little more to contribute to the music of this planet, nothing in fact but vain repetition. It is time for finer instruments to take up the theme." And at that time, there has been no persecution of the mutants by normal people, who aren't even aware of their existence.

ODD JOHN does use "Homo Superior" extensively, predating Kuttner's brief mention of the phrase. So the line of influence here would be ODD JOHN to SLAN to the "Baldy" stories to THE X-MEN and all their dozens of spin-offs and imitators.

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[info]blakeyrat
2009-09-05 03:47 pm UTC (link)
Ah, I'm actually impressed that you've heard of (and especially read) it. I wasn't meaning to derail your point or anything, it's just that I like to give credit where credit is due, and I think that Odd John was such a fresh and creative work, it is due a lot of credit.

And yah, John was definitely a Grade-A monster. I've always marveled at the fact that it was never actually made into a monster movie-- you'd think Universal or Hammer would have snatched that property up.

Thanks.

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[info]dr_hermes
2009-09-06 02:18 am UTC (link)
I took your post as just adding more information, always a good thing. Fans may not realize how more current characters and storylines are reworkings of much earlier creations.

ODD JOHN would work well today, with its amoral protagonist and downbeat ending. I'd cast the Olsen twins as John, with just a bit of prosthetic appliances.

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[info]sandoz_iscariot
2009-09-05 03:39 am UTC (link)
Ah, the days when Magneto inexplicably had psychic powers.

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[info]khamelea
2009-09-05 03:50 am UTC (link)
Maybe it had something to do with:

http://en.wikipedia.org/wiki/Animal_magnetism

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[info]sandoz_iscariot
2009-09-05 03:55 am UTC (link)
*Bdoom-tish!*

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[info]timgueguen
2009-09-05 03:50 am UTC (link)
I'm pretty sure this was explained away at some point, probably in one of the Handbooks to the Marvel Universe, as Magneto using some sort of magnetic powered gizmo to give himself artificial psychic powers, which is a whole other level of goofy superhero science if true.

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[info]dr_hermes
2009-09-05 04:13 am UTC (link)
Revisionism in comics. That didn't happen, this is what really happened. It's an ongoing process, and to me it usually takes away some of the whacky freewheeling nature of comics.

Sometimes the after-the-fact revisions sound an awful lot like someone trying to get out of being busted. "Ah, no, that's not what I meant. When I said you don't look as slim as your sister, I was trying to make her feel better, see. Cause I knew you would never take it the wrong way. Errr..."

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[info]zordboy
2009-09-05 04:13 am UTC (link)
Yeah, I read an ancient issue of X-men I found recently, and it turns out Magneto could do whatever the plot required him to do, the writer just had to incorporate the word "magnetic" into the dialogue boxes somehow.

That was... weird. Heh.

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[info]timgueguen
2009-09-05 04:32 am UTC (link)
It fits in with Stan and co. abusing the word transistor back in the '60s. Iron Man needs to be able to dive to 1000 feet below the ocean to retrieve Captain America's shield? Why, Mr. Stark's new water resistant transistors will do the trick.

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[info]icon_uk
2009-09-05 11:54 am UTC (link)
"Ahhh... top hat transistors, is there NOTHING you can't do?"

Apparently not, at least according to 60's Marvel

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Yeah the transistors & radiation things are always fun..
[info]steverodgers5
2009-09-05 06:32 pm UTC (link)
I wonder though, if years from now people will look back and say something like, "look, they thought nanotechnology could do this?!? LOL!" (Or whatever the modern day scientific equivalent would be..;)

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[info]zippthorn
2009-09-05 05:17 am UTC (link)
No. The X-Men were inspired by the Doom Patrol!

Or versa-vice, I forget which.

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[info]dr_hermes
2009-09-05 05:20 am UTC (link)
Aside from all the strong similarities to Kuttner and Moore's "Baldy" stories, I'd say the other big inspiration for the X-Men would be A.E. van Vogt's SLAN - also a classic of pulp science fiction that Lee and Kirby would certainly be familiar with and likely have read. There was an earlier generation of sci-fi geeks who had the slogan, "Fans are Slans."

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[info]psychop_rex
2009-09-06 05:31 am UTC (link)
Actually, neither. From what I've read, the X-Men and the Doom Patrol debuted close enough together that one could not have influenced the other - there wasn't enough time - and there is little, if any, evidence to suggest that the respective writers and artists were spying on each other. Basically, it's just one of those unexplainable coincidences.

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[info]rab62
2009-09-05 06:21 am UTC (link)
Of possible interest, some pulp illustrations by Jack Kirby and Joe Simon:

http://kirbymuseum.org/blogs/simonandkirby/archives/category/periods/timely/pulp

Kirby kept a massive collection of pulps (and popular science mags) up until the day he died, and often talked about his favorite authors and acknowledged their influence on his work. Stan Lee may also have been an avid pulp reader, but I don't remember seeing anything specific he's said on the topic.

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[info]dr_hermes
2009-09-05 06:30 am UTC (link)
That's an invaluable site for fans of Simon and Kirby, or comics or pulps or all of the above.

Stan Lee mentioned (I don't remember where) that he had enjoyed THE SPIDER series. Richard Wentworth had no superhuman powers but he did suffer a lot of anxiety or unhappiness in his stories, as he was thought to be a murderous criminal himself and was hunted by the police. Everything went wrong to make things hard for the Spider. Perhaps this influenced Lee to make Peter Parker such a hard-luck sort of guy.

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[info]dr_hermes
2009-09-05 06:36 am UTC (link)
Oh, and one more thing. The Spider novel for December 1939 was SATAN'S MURDER MACHINES. The main villain is known as the Iron Man (you know, maybe Stan did devour the Spider pulps as a young man, as he acknowledged). This fiend leads a squad of a dozen killers who climb inside suits of motorized armor to cause mass destruction. It's not clear exactly how big these "robots" are. At one point, one of them has its head almost reach a street light, and another one is able to hide inside a wine cellar in ambush. Maybe they come in different models, like cars. The robots show up, chuckling at police bullets and hand grenades, pushing over buildings so they can loot and pillage. I love the visual detail about these monsters, "the mouth had teeth like a steam shovel."

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[info]rab62
2009-09-05 06:46 am UTC (link)
Yes, I totally forgot that but you're right -- wasn't that in his text for Origins of Marvel Comics? Now that you've mentioned it, I remember him noting the subtitle: "The Spider...Master of Men!"

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[info]jlroberson
2009-09-05 08:20 pm UTC (link)
It's also kind of inherent to the symbol of the spider. Spiders are actually useful friends of humanity that keep bugs away from us, but we still kill them because they're icky.

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[info]icon_uk
2009-09-05 12:00 pm UTC (link)
For YEARS I have been trying to remember the name of a series of stories I read in my youth about a guy with a genius subconscious that only ever gets a chance tom come through when he's drunk, and when sober has to spend the rest of the story trying to work out what the hell he's built! (For some reason I was sure that it was a Stanislaw Lem, or another Russian author I'd read in translation)

And you just casually go a drop the name I've been hunting for all these years! BRILLIANT! Many thanks... Time to go order a copy of "The Proud Robot"

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[info]dr_hermes
2009-09-06 02:20 am UTC (link)
You're welcome. If you see any paperbacks in a used book store with Kuttner's name (or CL Moore's or "Lewis Padgett"), it's a good idea to give them a shot.

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[info]jlroberson
2009-09-05 01:13 pm UTC (link)
Well, that and the Doom Patrol. Whom I like, and never, ever liked the X-Men very much, GOD LOVES MAN KILLS and Morrison's run aside.

Though it is interesting that Byrne did great work on the X-Men, but sucked ass on Doom Patrol. But no one who denies Morrison's DP is my friend.(hell, Arnold Drake himself only liked, of subsequent runs, Morrison's)

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[info]volksjager
2009-09-05 01:54 pm UTC (link)
This also reminds me of the Hugo Daner "Gladiator" story

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