15 December 2010 @ 01:00 am
hohoho fest gift | for [info]lilithilien  
Title: Fragments
Author: [info]alsha
Recipient: [info]lilithilien
Character(s)/Pairing(s): Isabelle/OC
Summary: Six glimpses of Isabelle between the ages of 9 and 14. Ballet practice is more than just a pastime to her – it’s a chance to get closer to her adored teacher. And all the while she’s laying the foundations of her future self.
Rating: PG
Word Count: 1860
Author's Notes: Incredible thanks goes to A. for her perceptive beta-ing and especially for her contributions to the artwork in the third, fourth and fifth pieces. You’re the best!






YOUNG


It wasn't that the slippers were too big; it was that they were old. She let them dangle from her outstretched fingers and stuck out her tongue. Miss Helena's hopeful smile went away.

“They were mine once,” she said, as if that should make it better.

“They're old,” Isabelle repeated and went so far as to stomp her foot. “What's wrong with mine?”

“They're getting too small for you, Schatz,” Miss Helena crouched down lower so she was eye level. Isabelle hated it when people did that. Didn't they know who she was? Treating her like a little girl didn't make the gesture any better.

“Mama and Papa will buy me new ones then,” she said dismissively. Some abortive lessons in manners came back to her as she put out her hands, with the worn pink ballet shoes draped across her small wrists. “Thank you for the present, but I have to decline.”

The adult words felt heavy and awkward on her tongue, but then manners always did. They always would, no matter how old she got. Even when she was as old as Miss Helena.

“How old are you, Miss Helena?” she blurted, peering up at her ballet teacher.

“Twenty-two,” she drawled, and swept a rare stray lock of hair back from her eyes.

That's pretty old, Isabelle decided, but she didn't say it out loud.



PERFECT


“Your form is looking much better, Isabelle.”

“No, it's not.” Isabelle frowned at herself in the large floor-to-ceiling mirror that stretched the length of the practice hall. “The balance isn't perfect on the pirouette.”

“You don't have to be perfect every time, you know.”

Isabelle flicked Miss Helena a narrow-eyed look of surprise. “It's all about perfection. 'Perfect unity of motion.' That's what you said.”

“It's an ideal. Something to work towards.”

“Then why not now?” It was hardly a question, the words demanding to come out.

Miss Helena smiled, a spark of humour in her blue eyes. “Class is over. That's as much as we can do today. Next week maybe you'll be perfect.”

“One more time. I want to go through it once more. Can I stay? Will you watch?” She pursed her lips at her reflection in the mirror, and then at Miss Helena's. “Please,” she said, and was inwardly delighted when her teacher dipped her head and smiled.



TOUCHED


Miss Helena held Isabelle's upper arm lightly, prolonging the stretch.

Isabelle was used to the interplay of touching. Handshakes and dry kisses on the cheek, the fond cupping of her chin when her Uncle Theo came to visit each Christmas. Brushing elbows with the boys in class and watching them fumble their pencil cases. She knew all about this. All the ways people brushed fingers passing dinner plates, and shoulders with the hired help. Etiquette. That's all it was. She knew every ritual down to her fingertips.

She allowed herself to glance in the mirror at Miss Helena's fingertips tightening briefly on her arm. Isabelle held the pose, feeling their muscles tensed in perfect, aching alignment. Her skin tingled where they touched. This wasn't etiquette. Nothing like it. Her heart raced, exhilaratingly ignorant of any rules. She had been staying after class for extra lessons three weeks in a row now, and each time she smiled with triumph as the last girl left the room. She turned against the bar; the curve of the wood against her back felt like polished ivory, worn smooth by thousands of hands.

“Am I your favourite?” Isabelle asked.

Miss Helena's fingertips were suddenly gone. She turned sideways and Isabelle felt a thin blade of disappointment in her gut. “I think you'd better get home now.” Miss Helena began to walk towards their gym bags, jumbled together near the wall. Then she slowed and cast a resigned smile over her shoulder. “You are.”

Isabelle tossed her head and grinned. “I knew it.”

It felt like winning.



IMPULSIVE


Isabelle was flying.

The balance was just right and her tulle skirt sizzled outwards in a perfect funnel of motion. Her hands came together high over her head and she flung her hair back, smiling, eyes closed. That was when the tip of her foot caught, rubbery, on the floor with a nasty squeak and she smacked into the wall before she could stop herself. The floor came up and dismantled her.

She was up on her feet instantly, chin high, self-rebuke vicious and bottled up inside her. Loser! Idiot! Her spine ached with the effort of holding herself straight and not looking towards Miss Helena, who was watching nearby.

The empty practice hall echoed with her teacher's light footfalls and with her own harsh breathing. She raked herself in the mirror out of the corner of her eye. Some unflappably professional part of her admired her own pose. She looked magnificently angry. Her shoulders held back and her body twisted like a spiralling pillar. Even in failure she had made herself beautiful. Turning accident into art was the secret of it all, she had decided, because no one could be perfect all the time, least of all in dance, when every muscle and nerve impulse and speck of dust on the floor had to coincide with the laws of gravity and the strict demands of choreography.

Let loose on its own lesson-plan, her mind jumped just as much as her body when she felt arms drape around her neck from behind.

"Relax, Isabelle. You did wonderfully."

The warmth of her body offered comfort and reassurance. Isabelle leaned back, and the hands linked loosely at her throat tightened on her skin. Isabelle's posture dissolved in surprise. Without thinking about it, she turned and pressed a kiss into Miss Helena's lips. For the longest moment, Miss Helena did nothing. Isabelle's courage stiffened into almost-anger, fed by the embarrassment of her recent fall, and then with the smallest of sounds, Miss Helena responded. One of her hands moved onto Isabelle's hair, stroking lightly.

And Isabelle was flying again.



SPOILED


Miss Helena didn't show up for class. A substitute filled in and gave the other girls easy games to play; Isabelle moped quietly at the back, wondering what had happened, hearing in every open and close of the door the possibility of her return at any moment. She waited until all the other girls had gone before approaching the new tutor.

“Excuse me. Where is Miss Helena?” she asked, dropping a curtsey for extra effect. She knew it made her look ladylike and innocent, like a doll.

“She's taken a few weeks off. I don't know the details.” He looked at her kindly.

“When will she be back?”

“End of the month.”

It was only the 12th.

Isabelle faked a fever for the next practice, and left home for the second, with the ribbons on her slippers trailing out of her rucksack, but never went to class. She browsed window displays along a fancy side-street for two hours before traipsing determinedly home. It started to rain halfway there and her slippers became bedraggled, the ribbons soaking up the dye from her red school bag.

The day of her next class she was restless. When Tom came up behind her in the corridor at school to tickle her sides, she spun around and hissed at him like a cat. He backed away with his hands up and a look of knowing suspicion in his guileless blue eyes. “I'm sorry,” she mouthed almost immediately. He shrugged and clapped one of his many friends on the shoulder - they were all indistinguishable to her, geeky little boys - and ambled off, the little prince in his group.

When the time for practice came at last, she rouged her cheeks and applied a new scented cream on the skin below her collarbones. She arrived early and through the crack in the door she saw Miss Helena standing in the hall. The edge of the door cut off who she was talking to, but she was laughing, merry-eyed as she made a broad gesture with her hands. Isabelle pushed open the door, a greeting half-formed on her lips. Miss Helena turned and smiled, and pulling her companion over by the hand, said gaily,

“Isabelle! I'd like to introduce you to David.” She paused to beam up into his face. “My fiancé.”

The stained ribbons of Isabelle's slippers trailed around her ankles as she ran from the room.



ALONE


Tom found his sister in her room, still in her ballet skirt. She sat cross-legged on the bed, her trophies and award ribbons spilling around her knees. The shelf where they'd had pride of place since as long as he could remember, five years old after her first year of dance, was empty, displaying perfect prints surrounded by dust. She was trying to hide her face, ducking over the trophy she held in her hands, scrubbing furiously with a cleaning cloth.

“What are you doing?” he asked, flopping onto the mattress beside her.

She glared at him sideways out of mascara-stained eyes.

Instead of answering, she held out the trophy. It was made of glass, a ballet slipper on a pedestal, with a small inscription on the base: 1st Place, Under-5s Cinderella Competition, 1991.

“Why is there only one, Tom?” she demanded.

She waved it at him and he took it. He looked it over carefully, but in the end he was forced to announce, “Huh?”

“The slipper! There's just one. What's the point of that? You can't dance with just one foot.”

He frowned and brought it closer to his face, until he could see his sister distorted through the glass. He drew his finger along the curves of it, feeling the speckled grooves of the lettering under his fingertips. 1st Place.

“Maybe 'cos there's just one winner?” he said seriously. “At the end of the day, it's not about the slipper, is it? It's about the winner. And there's just one.”

He poked his head over top of the trophy and Isabelle came clear again, no longer a blurry jumble of colours but still fragile. She had her mouth hitched up to the side in that pensive expression he knew so well.

“Do you think so?” she asked.

“You came first,” he said, nodding confidently. “You alone.”

He was caught by surprise when she threw her arms around his neck. She mumbled something into his shoulder that he couldn't hear. He smiled anyway and patted her on the back.

When she pulled away, it was to look determinedly into his eyes.

“That's what winning is, Tom. That's what I'm going to be from now on.”

“A winner? You're always a winner to me, sis.”

There was a dark fire in her eyes. “I'm going to be the best.”

Frowning, he put the trophy aside on the bed. She took it from him and leaned off the bed to place it in the centre of the empty shelf.

“Me alone.”
 
 
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geekchick1013: BtVS Got Older Buffy Joyce[info]geekchick1013 on December 15th, 2010 05:35 am (UTC)
Oh wow. This is so beautiful.

The details are just amazing, Mystery Author. I love the little things, like the abortive lesson in manners, and the red dye soaking into the ribbons, and the feel of the etching in the glass of the trophy... so wonderful. I love Isabelle here, and Tom. But especially Isabelle. How she's so haughty and egotistical and also so painfully self-critical and desperate for validation.

And the kiss... *sigh* So lovely and sad. And when the fiance shows up... gah. Broken.

Thank you so much, Mystery Artist. <3
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amyriadfthings[info]amyriadfthings on December 15th, 2010 05:43 am (UTC)
This is beautiful, and more so, it's an excellent piece of writing and character study. What an interesting twist, seeing little Isabelle crush on her ballet teacher, over years. and only have single scenes in training tell the story and give us these glimpses. i love the way they are described, just as delicately as the dancing is itself.
the combination with the drawings is so fitting to the already reduced format of the story. the illustrations make the scenes even more tangible and turn the spotlight to single moments.
what a wonderful, wonderful job.
OH! the end? oh, the end... oh Izzy. thanks so much for this, MA!
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Lilith: awz-isabelle fuck yeah[info]lilithilien on December 15th, 2010 01:30 pm (UTC)
OMGOMGOMGOMGOMG! MY CAT IS NOW TRAUMATISED BY THE HUGE SQUEAL I MADE WHEN I SAW THIS. PRETTY PICTURES AND PRETTY WORDS AND I AM FLAILING LIKE A MAD FLAILY THING RIGHT NOW! I CAN NOT STOP FLAIL. SERIOUSLY! IT'S NOT PRETTY! NOT LIKE THIS PRETTY PRECIOUS THAT I LOVE SO INCREDIBLY MUCH OMG!

OKAY, I AM GOING TO TRY TO RESPOND WITH A WELL-REASONED, THOUGHTFUL COMMENT. (I PROBABLY SHOULD STOP CAPSLOCKING FOR THAT BUT I DON'T THINK I CAN. SO PLEASE READ THEM AS IF THEY COME FROM SOMEONE WHO IS CALM AND RATIONAL, NOT SOMEONE WHO IS BOUNCING AND SQUEALING LIKE A TODDLER LET LOOSE IN A SMARTIES FACTORY.)

RIGHT. OMG. ISABELLE. BABY ISABELLE, WHO HAS LONG BRAIDED HAIR DOWN HER BACK (AND PROBABLY HATES SITTING STILL WHILE IT'S BEING BRAIDED BUT DOES BECAUSE THAT'S WHAT HER AU PAIR TOLD HER THAT PRINCESSES DO, SO SHE HAS TO EVEN IF SHE WANTS TO BE SPINNING AROUND DOING PIROUETTES INSTEAD). I LOVE THIS FIRST GLIMPSE AT HER. OH IT'S SO PAINFULLY TELLING, HOW SHE HAS TROUBLE ACCEPTING PEOPLE BEING GENEROUS AROUND HER--HOW SHE JUST DOESN'T UNDERSTAND (AND THIS I THINK IS THE KEY TO IZZY, HOW SHE'S BORDERING ON BEING A SOCIOPATH AT TIMES BECAUSE THE REALITIES OF HER WORLD AND THE THINGS THAT ARE EXPECTED OF HER JUST DON'T MESH THAT WELL. BECAUSE REALLY, SHE DOESN'T NEED OLD WORN OUT SHOES THAT DON'T FIT, AND WHY WOULD SOMEBODY WANT HER TO WEAR THEM?!!!) I ESPECIALLY LOVE HOW SHE TRIES TO BE SO ADULT WITH HER MANNERS: The adult words felt heavy and awkward on her tongue, but then manners always did. They always would, no matter how old she got. HELL YEAH, IZZY. YOU'RE A REICHENBACH, WHAT USE DO YOU HAVE FOR MANNERS? (DID I TELL YOU YET THAT I LOVE YOU, MYSTERY AUTHOR? BECAUSE I DO!)

AND HER IMPATIENCE IN "PERFECT"!!! (NOT THAT I CAN RELATE TO IMPATIENCE AT ALL OF COURSE BUT) THIS INSISTENCE THAT SHE BE PERFECT NOW MAKES ME WONDER SO MUCH ABOUT HER PARENTS, HOW THAT WAS INSTILLED IN HER, HOW SHE ACCEPTED IT WHILE TOM WAS CERTAINLY REBELLING, AND IT'S SUCH A WONDERFUL INSIGHT ABOUT THE CHARACTER THAT I NEVER THOUGHT OF BEFORE. AND THE PICTURE THAT GOES WITH IT -- OH THE LOVELY LITTLE SLIGHTLY CHUBBY CALVES THAT OF COURSE CAN'T PIROUETTE PERFECTLY NO MATTER HOW SHE TRIES, NO MATTER HOW MANY TIMES SHE DOES IT OVER. I LOVE THIS DETERMINED SIDE OF HER AND IT MAKES ME WANT TO CUDDLE HER TOO, BECAUSE I'M SURE SHE NEVER GOT NEARLY ENOUGH CUDDLES.

IS THIS COMMENT GOING TO BE TOO LONG? I SUSPECT THAT IT IS, I'D BETTER MOVE ON TO PART 2...
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Lilith: awz-izzy[info]lilithilien on December 15th, 2010 02:01 pm (UTC)
STILL STUCK IN CAPSLOCK, SORRY. STILL SQUEALING. STILL HAVEN'T SEEN MY CAT IN A WHILE. AND STILL LOVING THIS STORY SO. VERY. MUCH.

"TOUCHED" IS, STRANGELY, THE SEGMENT THAT AFFECTS ME THE MOST... I THINK IT'S THE GLIMPSE INTO THE REICHENBACH'S OVERLY CONTROLLED LIFE, WHERE THERE ARE NEVER ENOUGH CUDDLES, NONE OF THE GENEROUS HUGS THAT KIDS LIKE TOM AND IZZY NEEDED, JUST DRY KISSES THAT ARE NEVER ENOUGH. AND THIS: "She knew all about this. All the ways people brushed fingers passing dinner plates, and shoulders with the hired help. Etiquette. That's all it was. She knew every ritual down to her fingertips." DUDE. DID YOU KNOW ABOUT MY FINGER FETISH? I LOVE THE USE OF FINGERS IN FICS, ESPECIALLY WHEN THEY ARE SURREPTITIOUS AND GUARDED LIKE THIS, AND THAT IZZY NOTICES THESE KINDS OF TOUCHES, THAT SHE'S AWARE OF THEM, THAT SHE'S INTERNALISED THESE RITUALS SO DEEPLY DOWN TO HER FINGERTIPS IS JUST MAKING ME CLAP WITH MAD GLEE. AND I LOVE MISS HELENA IN THIS SECTION SO MUCH - IT MAKES ME WONDER IF SHE INTENTIONALLY CROSSES THAT PROFESSIONAL LINE OR NOT, I DON'T THINK SHE DOES, ALTHOUGH SHE'S AWARE THAT SHE HAS. IT'S A REALLY TENSE MOMENT, CAPTURED IN JUST A FEW WORDS -- AND IN THIS PICTURE, SO PERFECTLY. THE ANGLES HERE ARE SO LOVELY, SUCH A CONTRAST WITH THE SWINGING ROUND-NESS OF HER PONY TAIL, WITH MISS HELENA'S ARM SO STRAIGHT AND PRECISE, AND IZZY'S TRYING SO HARD TO MIMIC THAT. ABSOLUTELY INCREDIBLE!!!!!

OH, I ALSO HAVE TO SAY THAT I ADORE THE VISCERAL DESCRIPTIONS HERE, OF "the curve of the wood against her back felt like polished ivory, worn smooth by thousands of hands" AND "a thin blade of disappointment in her gut." YOU'VE GOT A REAL GIFT FOR DESCRIPTION, MYSTERY AUTHOR. AND I LOVE THAT THEIR GYM BAGS AREN'T JUST NEXT TO EACH OTHER, THEY'RE "JUMBLED." OH THE PRETTY, PRETTY WORDS!

THE NEXT SECTION... OH OH OH... SO MUCH I LOVE ABOUT THIS, SO MUCH. THIS PICTURE, WITH THOSE PERFECTLY DETERMINED EYEBROWS SHOOTING DAGGERS AT ANYBODY THAT DARES TO CHALLENGE ISABELLE REICHENBACH. OMG SO SO MUCH EXPRESSION HERE!!! I THINK THIS PIECE ALSO CONTAINS MY FAVOURITE SENTENCE: "The floor came up and dismantled her." I DON'T KNOW WHY I LOVE THAT SO MUCH, BUT I DO - IT'S LIKE THE FLOOR IS THIS ACTIVE CREATURE ATTACKING HER, USING WEAPONS LIKE GRAVITY AND PANELS OF HARDWOOD TO TAKE HER DOWN. BUT IT ALSO CONTAINS MY OTHER FAVOURITE SENTENCE - "She looked magnificently angry." - AND THE GREATEST TRUTH - "Turning accident into art was the secret of it all, she had decided, because no one could be perfect all the time, least of all in dance" - WHICH IS SUCH A BETTER WAY TO PUT IT THAN SAYING THAT STELLA'S STRENGTH IS HER QUIRKYNESS. THIS FITS ISABELLE SO PERFECTLY - SHE CAN PULL OFF ANYTHING BECAUSE GOES BEYOND OWNING HER FAIL; HER FAIL BECOMES EXACTLY WHAT SHE INTENDED IN THE FIRST PLACE.

I PARTICULARLY ADORE HOW SHE TURNED THIS MOMENT OF FAILURE INTO SOMETHING BRAVE AND DARING. OH IZZY. MY HEART ALMOST STOPPED FOR YOU IN THAT MOMENT OF UNCERTAINTY, AND THEN AND THEN... MYSTERY AUTHOR, I LOVE THE SUBTLETY OF MISS HELENA'S RESPONSE. THE TENSION THERE IS PALPABLE, SO HEAVY THAT I WAS HOLDING MY BREATH, AND HAD TO GASP WHEN SHE MOVED THAT SINGLE HAND. SO VERY LOVELY!!!!

ON TO THE NEXT COMMENT...
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Lilith: animals-black cat[info]lilithilien on December 15th, 2010 02:22 pm (UTC)
"SPOILED" HIT ME LIKE... YOU KNOW WHEN YOU OPEN A PRESENT FROM SOMEONE WHO KNOWS VERY CLEARLY WHAT YOU WANT, BECAUSE YOU TOLD THEM, YOU WROTE IT IN YOUR LETTERS TO SANTA, AND THEN YOU CIRCLED THE PICTURES IN THE CATALOG? AND YOU ARE JUST CERTAIN THAT THEY'VE GOTTEN THAT FOR YOU, BECAUSE YOU'VE WAITED SO PATIENTLY FOR IT AND THEY'VE HINTED AT IT AND THE BOX IS EVEN THE SAME SIZE, BUT THEN YOU OPEN IT UP AND IT'S SOCKS? THAT'S THE UTTER DISAPPOINTMENT I FEEL HERE FOR IZZY. THE BUILD UP HERE IS PERFECT, SHE GOES FROM BEING THIS MANIPULATIVE LITTLE PRINCESS WHO CURTSIES TO GET WHAT SHE WANTS BUT CAN'T BE BOTHERED TO SHOW UP FOR CLASS (AND I LOVE THE TOUCH OF THE RED DYE, TO HIGHLIGHT THAT IN THE ILLUSTRATION IS ABSOLUTELY WONDERFUL), TO MAKING SUCH AN EXTRA EFFORT WITH MISS HELENA COMES BACK. IT BREAKS MY HEART EVEN MORE FOR HER, BECAUSE SHE JUST KNEW THAT SOMETHING GOOD WAS COMING HER WAY, AND THEN SHE GETS SOCKS A STUPID FIANCE. HOMEWRECKER! HE SHOULD JUST GO AWAY!!!!!

(EXCEPT NOT, BECAUSE YOU KNOW I LOVE IT. AND BECAUSE IT SETS UP THIS ENDING.)

THIS ENDING.

*READS AND TRIES TO BREATHE*

WOW.

*STARES AT THE ILLUSTRATION* *BREAKS*

WOW.

THIS IS POWERFUL. I LOVE HOW WELL THIS FITS WITH THE ISABELLE WE KNOW - HERE SHE'S THIS LITTLE GIRL WHO'S TRIED SO HARD TO BE PERFECT, BECAUSE THAT'S HOW SHE'S GOING TO BE LOVED, AND WHO REALISES THAT IT STILL DOESN'T WORK. AND SO RATHER THAN GIVE UP THE PERFECTION AND GO FOR BEING LOVED IN OTHER WAYS, SHE GIVES UP THE LOVE AND SETS HER SIGHTS ON WHAT SHE THINKS WILL BE EASIER TO ATTAIN. OH IZZY.

"Isabelle came clear again, no longer a blurry jumble of colours but still fragile." I'VE LOST WORDS AGAIN AND AM BACK TO "WOW" BECAUSE YOU'VE PAINTED THIS SCENE SO BEAUTIFULLY. AND IT HURTS BECAUSE HER DETERMINATION IS SO STRONG, AND YOU KNOW THAT SHE NEVER LET IT FALTER UNTIL SHE MET THAT STUPID IDIOT BEN STEINKAMP AND ACTUALLY THOUGHT SOMEONE MIGHT LOVE HER FOR WHO SHE WAS. AND SHE THOUGHT SHE COULD HAVE LOVE AND PERFECTION, BUT WAS PROVED WRONG ONCE AGAIN. AND IT MAKES ME WANT TO CRY.

EXCEPT IN A GOOD WAY. IN A MUCH LOVED WAY, BECAUSE, MYSTERY AUTHOR, YOU PROBABLY HAVE NO IDEA HOW CLOSE THESE INSIGHTS COME TO MY HEART. THANK YOU SO MUCH FOR THIS INCREDIBLE, INCREDIBLE GIFT. I AM OVERWHELMED BY THE POWER OF YOUR STORYTELLING AND THE BEAUTY OF YOUR PICTURES. I FEEL SO SPOILED AND HAPPY AND I CAN'T WAIT TO FIND OUT WHO YOU ARE SO I CAN SQUEAL IN YOUR EAR AT (EVEN MORE) LENGTH.

EXCUSE ME, NOW, I HAVE TO GO FIND MY CAT!
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Christine: 1million[info]spaghettitoes on December 15th, 2010 08:14 pm (UTC)
Wow. Just...wow. This is fantastic. I think Lil has flailingly analysed every bit of awesome here but I am so pleased we got to share in this. Thank you mystery author!
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Aldi: AWZ: Isabelle teary[info]aldiara on December 15th, 2010 09:15 pm (UTC)
IZZIE FIC! MORE IZZIE FIC! YAYAYAYAYAYAY OMG! Excuse my squeeing. She is fast becoming my favourite character and I LOVE how much attention she (and Tom!) are getting in this fest. And this piece doesn't just give them attention, but the careful, loving and masterful characterisation that Show denies them. It fills me with GLEE!!!

*breathes in painfully* Oh man, this is so lovely and exquisitely ouchy. I can't compete with Lil's flailing capslock, but I completely adore how you've drawn out these childhood/adolescence glimpses of a very complex character, giving us small samples of the events and environment that turned her into the person she is. From her obstinate refusal of something that's less than new and perfect in the first piece, to her fierce determination to be the best in the last one, these are gorgeous.

The subtlety of the interactions with Miss Helena are brilliant... so much yummy UST! I love the sparky tension of Touched - the way Izzie challenges it, pushing further, going against the etiquette that's so ingrained in her, and rejoicing in the uncertainty. And then to see it all snatched away in the face of her daring - STABBY HEARTACHE OUCH! (I love it).

And Tom! Lovely, supportive Tom who doubtlessly went through the same drills and admonishments but somehow has a strong enough sense of who he wants to be that they just seem to pearl off him where to her it's this constant rigorous struggle. Their interaction in that last piece is so poignant and lovely - Tom so earnest and supportive, and her so brittle yet formidable and determined. And this decision to be the best, to excel, to make herself noticeable... omg it just kills me, especially in light of current events on the show. These pieces illuminate so much of how she became that person... then and now really just a girl starved for attention, affection, unconditional warmth that doesn't come wrapped in rules and "proper" behaviour... but at the same time so determined not to let that show, to have the upper hand, to be perfect and unhurtable. How did you draw that out so well in such precise, snapshot portraits? It's heartbreaking and lovely.

I also love the detail of the glass slipper and the rather subtle Cinderella parallel, *especially* because Show is trying to force the whole Cinderella theme down our throats so bluntly with Katja, whom it doesn't fit at all in my opinion. Katja has friends, family, success, warmth in her life; yes, she's suffered too but if one wants to talk fairytales, this particular one suits Isabelle so much better, because apart from her brother, she's truly alone. And having thrown herself so fully into the relationship with Ben, risking everything, even these hard-won principles you've built up here, just to be with this guy she thought would be her prince, she's now losing it, just as she lost this tenuous relationship with this woman she had feelings for. That parallel is just gutting.

Mystery Author, thank you so much for writing this! And with illustrations, too! *paws them* I think my favourite is the "Spoiled" one - it has such a simple, stark quality to it that goes really well with the mood of the piece. The rain drops, the clunky schoolgirl bag, and those washed-out trails of red on the ribbons, like blood, but subtle... it looks so abandoned and hopeless I just want to hunt down its owner and give her all the hugs and kisses she missed out on (even though she'd probably shove me the hell off, lol).

Beautiful job!!! <33333333333333333333333

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Momo: Iz giggycute by Aldi[info]momogermany on December 15th, 2010 09:16 pm (UTC)
Hey, what can I say that the lucky recipient of this gift has not said already , but OMG, this is so sweet and sad and moving! And the drawings! So beautiful.

It's a continuing source of amazement to me, that so much creative talent is assembled in this tiny corner of the internet world. So happy I can enjoy your work MA!

Oh dear, and another hofest gift that brings tears to my eyes, what is it with everybody, including me, being so melancholy this Christmas season... ?
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winterlover: AWZ - Isabelle really lovely[info]winterlover on December 16th, 2010 12:29 am (UTC)
Oh, I just came back after two days and there are so many new fics - AND DRAWINGS!
I cannot add much to what has been said, but my favourite detail is the tutu in the first picture (YOUNG). The delicate fabric drawn with a few strokes - lovely! And the beautiful gesture in the picture for TOUCHED!!
Kind and touching memories of Isabelle - that's what is needed today.
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쉘리 I whip my hair like Bang Bang: awz - isabelle is upset srsly[info]sdk on December 16th, 2010 10:35 pm (UTC)
This is really gorgeous, MA. Both the writing and the artwork that accompanies it. The glimpses you give to us of Isabelle are really powerful and it amazes me how you picked out these formative experiences and even with just a small amount of words, lay out these years for us so clearly. The details are great, all the little things that put the reader right into the scene and into Isabelle's head. And the illustrations...I think my favorite is the one for SPOILED with just that hint of red whereas the rest of the pictures are monotone.

I love this part: She looked magnificently angry. Her shoulders held back and her body twisted like a spiralling pillar. Even in failure she had made herself beautiful.

I don't know what to say, but that's just perfect. Wonderful, MA! Thank you!

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Linda: AWZ - Izzie is a pixie[info]vitacrudelis on December 17th, 2010 09:57 am (UTC)
What a fabulous fic and DRAWINGS! <333 I love all the glimpses you've described. Telling the story by using her crush over the years explains so much about Isabelle that Show doesn't bother dealing with.

Isabelle was used to the interplay of touching. Handshakes and dry kisses on the cheek, the fond cupping of her chin when her Uncle Theo came to visit each Christmas. Brushing elbows with the boys in class and watching them fumble their pencil cases. She knew all about this. All the ways people brushed fingers passing dinner plates, and shoulders with the hired help. Etiquette. That's all it was. She knew every ritual down to her fingertips.

This paragraph's just perfect. And the drawing fits so well.

And the end! Gosh, Tom's just adorbs and gaaaah, Izzie. :CCC *cuddles forever*

Fantastic job, Mystery Author! <3
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G: VanessaPretty[info]giorgiakerr on December 19th, 2010 06:19 am (UTC)
Why do I not have an Isabelle icon?! Have Vanessa, instead.
Heeeeeeeeeeeeeeeeeeeeeeeeeeh. OH MY GOD. This is... so fabulous.

I adore the Tom/Isabelle interaction. They're just so different, but as siblings usually do, they know each other. Yet he's still surprised when Isabelle hugs him - I adored that bit.

And Isabelle and Miss Helena! *wibbles* I love that it left me wondering where Isabelle's feelings for her really came from. Whether she really felt for her as a person, or whether it grew from Miss Helena being someone who understood her and cared for her, in ways that her parents didn't seem to. Or some combination thereof.

And of course the pictures just make it that much more awesome. They add so much (seriously, every fic should be illustrated). I love the way the illustrations are done, though. Almost like they're not illustrations but snapshots, and I shouldn't call them illustrations, even, because implies that the story was written and then the images were taken out of it. But it feels like it's the other way around. Like real memory, where it's often a tiny image you remember, and then the story flows from that.

(And there's even mascara-tears! SO MUCH LOVE.)

And I'm totally in love with Isabelle's hand in Touched. Just for the record.
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[info]praderwilli on December 30th, 2010 07:47 am (UTC)
Dear Mystery artist, this is one of the most stunning fanworks ever created, incredible illustrations of Isabelle as a character, in both words and drawings. The art of the "Alone" section just slays me with its beauty. I'm completely gobsmacked with this story and the art. Kudos to you, and thank you so much for joining up for HoFest so that you could share your talent, not only with the gift recipient but with the entire fan community.

Wonderful, simply wonderful.
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[info]merkyderry on December 31st, 2010 04:22 pm (UTC)
This lingers. Brief glimpses of Isabelle, but I'm drawn to her character--she's hard, she's flinty, but I find her single-minded determination, her need to push herself to be the best, her ability to turn 'accident into art' really fascinating here.

I love Tom as well. He such a complete opposite, as Giorgia said--he guileless and she high-strung (the scene in the school hallway is a nice illustration), & I love their relationship. The last line is haunting because something clicks and he's worried, but he can't quite reach her.

Illustrations: I love the pigtail of the first in 'Young', the set of her mouth in 'Impulsive' and the jagged edges and her face in 'Alone'.

Gorgeous. Thank you.

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amo_amas_amat: Standby Heartbreak[info]amo_amas_amat on January 8th, 2011 01:22 am (UTC)
... This is exquisite. I got to Touched and I died. The drawing is so so stunning. I love the hands especially - Isabelle's perfect fingers. That moment, "Am I your favourite?" There is so much wrapped up in that, charged and coy and confident and conspiratory (and other things that don't begin with 'c' IDK what's up with me).

The whole thing is so delicate and heartbreaking and the drawings really are beautiful. Thank you!
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