This is fairly bad standing-around-talking art, though the artist definitely has a grasp on likenesses. The composition is just terrible.
Panel one: weak, nothing like tokyo Panel two: girders draw the eye but it's not exactly subtle, is it? It's hard to draw people from that perspective, as this panel clearly shows Panel three: this is a normal device so badly executed it breaks the story. Bruce is standing with his back to Hino. This is as normal and natural for comics as it is for movies, when they're showing three people in a car, to have the person in the back seat sit in the middle. But because Bruce is standing with his shoulders turned away from her, and he looks enough like Clark as it is, you get very confused as to who is speaking and who they are speaking about. Joke gets lost a bit. Panel four: Perfect. Panel five: What the fuck.
Second page panel five: his eyes focus the attention on that bubble. It would be alright if they were saying something important in that bubble. But it's not.
Page three panel one: starting to get the hang of it. last panel: clark's steepled fingers do not do very well with the napkins, the tie, his lapels, and the glass all cluttered together. Although I salute the artist and colorist for avoiding tangents in that clotted mess, I still think there could have bee a better solution, and that green stuff on the table does not make a whole lot of sense.