Miller's early output does not forgive his later output any more than Joel Schumacher making the excellent film Falling Down makes up for the fact that he also made Batman & Robin. Name me a Miller story from DKSA forward that contradicts what I'm saying about his portrayals of women and you might have a point. Otherwise, you're talking about the previous great works of a man who has long since gone to seed.
People who forgive a creator's current terrible output just because they made earlier good work are engaging in objectively bad behavior, because they're enabling declines in artistic quality. When a person used to tell good stories, but goes on at least a decade-long streak of stories utterly devoid of any remotely redeeming virtues, you owe it to that creator to tell them, in the harshest and most unpleasant possible terms, that they're fucking up and they need to stop it.
Oh, and Daredevil? You're using his run on DAREDEVIL, with KAREN PAGE BECOMING A SMACK-ADDICT WHORE WHO SELLS OUT MATT MURDOCK FOR A HIT, to show that Frank Miller isn't fixated on WHOREWHORESWHORESWHORESWHORES???