The January Challenge: Lily revisited
The Challenge for January 2011:
Lily revisited
Lily revisited
Years ago (we've been around for a while, oh yes!)we had 'Severus and Lily' as a monthly challenge.
alicekinsno1 suggested to take a closer look at Lily's character:
Maybe something that discusses the character of Lily more deeply? I'd love to see what some of your ideas are for just how Lily went from treating Snape so harshly and talking back to James, to being the stereotypical "saintly mother" at the end of her life. There's something about her personality that doesn't add up.
That is to say, how her apparently selfless decision to die for her baby makes sense in light of the way she treated Severus or even James. With possibly a side comment about how despite being so powerful and gifted she didn't really show any of that by dying pleading for her baby's life without even trying to take on Voldemort.
Please post your entries here or in a separate post. I'm looking forward to your entries.
If you have ideas for new challenges, please post them here. (This is a new list, your earlier suggestions are still in the old post).
Re: Lily, Sev, Mary, dark magic
Sectumsempra could theoretically be used to chop plant or dead animal ingredients - there is nothing in the text about it's *only purpose* being to harm people. It seems to work like an invisible knife you can use at some distance, that the caster can control finely, and that can cut flesh but not bone (Draco got the worst of it and there is no bone damage indicated). It's name means 'cuts always,' which is likely to be a play on the famous British knife brand Staysharp. Nothing there indicates anything about causing harm being it's only possible use. That's merely how the two characters who wield it choose to use it.
Assuming that one interprets the text as indicating that it was indeed dark, upon the comments of some characters. The only spells agreed upon by *everyone* we see in the text as being Dark are the unforgivables, but nothing states if what makes them Dark Magic specifically is their ability to harm, or if that is characteristic of all Dark magic. It could just as easily be a characteristic of one rather limited class of dark magic; nothing in the text prohibits that reading.
Also, what of Voldie's resurrection potion? Is that Dark Magic? It's main purpose is not to harm a living being, but it does involve willing and unwilling harm in its creation? Or is it specifically dark according to some other aspect of its nature as a piece of magic? And again, what of scourgify? That harmed Severus. What about Ton-Tongue Toffees? Dudley nearly choked to death on them, and their purpose IS to harm, though not necessarily to kill. What of Confundus? It's effects are almost as bad as Imperious, but Ron is never accused of using *dark magic* on the Muggle driving instructor. What of a Reductor curse that hits a person instead of a wall? Is that dark magic?
My point is not that dark magic *isn't possibly* magic that harms, it's that that reading of dark magic is an *interpretation* of the text involving the making of assumptions and speculation, not something ever spelled out directly in the text, and making that interpretation requires answering all sorts of questions like the ones I pose above in order to have a coherent reading of the text - questions the text does not answer. The text *does not directly present* any clear, coherent definition of the dark arts. It is not there. Quote it to me if you think it is. Find the passage that says "the dark arts are..." The closest you will find is Snape's DADA speech, which is a listing of abstract qualities he personally ascribes to dark magic, not a theory one can use to tell if a particular spell is dark or not. Everything else is character opinion (which differs between characters except in the case of three individual spells, for reasons not explicitly explained to us), or reader interpretation.
We have a scattering of evidence as to what might constitute dark magic, but some of it is personal opinion of the characters, some of it doesn't always fit with everything else, and some of it can't be definitively classed as characteristic of dark magic as a whole or as characteristic only of a specific branch of dark magic. To decide that it is characteristic of one or the other is to make an interpretation, to add one's own assumptions to the evidence presented in the text. Which is fine, everyone makes sense of the text in their own way - but an interpretation is not the same thing as the text clearly spelling out a single coherent definition. Interpretations can differ, even ones using all the same evidence, as is the case here. Because the text does not state clearly one way or the other; there are too many gaps that the reader has to fill in.
Re: Lily, Sev, Mary, dark magic
Re: Lily, Sev, Mary, dark magic
It is an interpretation allowed by the text, but there are other interpretations ALSO permitted by the evidence we have in the text. The TEXT ITSELF does not state explicitly that the interpretation you make is correct or not, so nobody can say their interpretation of dark magic is the only correct one. It does not give a definitive account of what dark magic is; that is a matter of *interpretation.* That is my point. That you are making an INTERPRETATION, which is not the same thing as something spelled out by the text itself as a clear coherent theory of dark magic. I am not offering a counter interpretation of what dark magic is, I am pointing out that it is something we must necessarily interpret because it *is not spelled out textually.* Am I being unclear?
Re: Lily, Sev, Mary, dark magic
PS, I think that Memory Charm that Lockhart used and it backfired on him. I would term that as Dark. Anything that would wipe out a human being's memory as permanently as that did, is certainly Dark in my book.
Re: Lily, Sev, Mary, dark magic
Re: Lily, Sev, Mary, dark magic