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Practically Royal: Blood Prejudice’s Parallels to Classism

The World of Severus Snape

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Practically Royal: Blood Prejudice’s Parallels to Classism

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With thanks to Anna M.


“I really don’t think they should let the other sort in, do you? They’re just not the same; they’ve never been brought up to know our ways.” (Draco in PS, V)

“Yer not from a Muggle family.” (Hagrid’s response to Draco’s comment.)




“Rotten ter the core, the whole family, everyone knows that--… bad blood, that’s what it is—” (Hagrid in CoS, IV)

“There are some wizards—like Malfoy’s family—who think they’re better than everyone else because they’re what people call pure-blood…. It’s [‘Mudblood’ is] a disgusting thing to call someone,” said Ron, wiping his sweaty brow with a shaking hand. “Dirty blood, see. Common blood. It’s ridiculous. Most wizards these days are half-blood anyway. If we hadn’t married Muggles we’d’ve died out.” (CoS, VII)

“Saint Potter, the Mudblood’s friend,” said Malfoy slowly. “He’s another one with no proper wizard feeling, or he wouldn’t go around with that jumped up Granger Mudblood.” (Cos, XII)

“He says the school needs ridding of all the Mudblood filth, but not to get mixed up in it.” (Draco quoting his father, Cos, XII)

“It all comes down to blood, as I was saying the other day. Bad blood will out.” (Aunt Marge in PoA, II)

“… that champion of commoners, of Mudbloods and Muggles, Albus Dumbledore.” (“Lord” Voldemort in GoF, XXXIII)

“Your Dementor has just destroyed the last remaining member of a pure-blood family as old as any—” (Albus Dumbledore about Barty Crouch Jr., GoF, XXXVI)

“I hated the whole lot of them: my parents, with their pure-blood mania, convinced that to be a Black made you practically royal…” (Sirius in OotP, VI)

“He’d play up the Pure-blood side so he could get in with Lucius Malfoy and the rest of them… the Half-Blood Prince—” (Harry in HBP, XXX, emphases mine)

“I am related to the Selwyns… Indeed, there are few pureblood families to whom I am not related….” (Umbridge in DH, XIII)


Sailorlum argued passionately that to call the WW’s “blood prejudice” anything BUT racism is totally to miss the point because after all, “blood prejudice” is, by definition, based on “blood”. And so is racism. Ergo, they are the same.

But on reflection I agree with Anna M that class prejudice is a better analogy to blood prejudice than racism.

Blood prejudice simply doesn’t work the way the racism I have experience with works.

When my family moved to Florida when I was a teen, my mother took up with a Southern “cracker”. Trust me when I say that my mother’s boyfriend would have esteemed the U.S.’s current president as being just as much of a “n—” as Obama’s Nigerian father. Indeed, a dark-skinned man who “kept his place” would have been more highly esteemed by a cracker than a lighter-skinned one who was demonstrably superior to him in every measurable way.

Southern racists and Nazis both felt that intermarriage with an “inferior race" didn't raise the inferior--it tainted the superior. And anyone who has braced hirself to read the diseased ravings of racist minds knows that nothing makes the spittle fly worse than “miscegenation”--most particularly, any hint of "them" defiling "our" pure women. In the WW, we do see a possible trace of that attitude with some of the Blacks and Gaunts. But if this were a general prejudice, literal half-bloods, at least, should have been subjected to as much antipathy as Muggleborns. Granted, Harry can be a bit oblivious, but even he should have been noticed if he was repeatedly taunted with being a filthy half-blood. Instead, we hear him called that only by Walburga’s portrait, Kreacher, and Bellatrix.

At the very least, Draco and his cronies should have been on Harry’s case all the time about how James Potter had defiled his pure line by taking to wife a dirty Mudblood, and how Harry shared his mother’s tainted blood…. And certainly Draco could never have boarded the Hogwarts Express with the firm intention of befriending Harry Potter. I mean, can anyone credit David Duke’s dutiful daughter (assuming he had one) trying to suck up to Malia Obama?

And how could Severus have possibly expected Bellatrix to believe that “many of the Dark Lord’s old followers thought Potter might be a standard around which we could all rally once more” (HBP, II) if they shared Bellatrix’s belief that actual blood purity counted? Everyone knew who Harry’s mother was—there’s a statue of her in Godric’s Hollow!

If anyone believes that in the real world, this one, former KKK members are rallying around Obama’s standard because he is now in power and he’s only half “black”, I’m sorry to have to disillusion you on that point.

Moreover, those half-bloods whose MOTHERS had married beneath them—Severus, Seamus, maybe Nymphadora—should have been, if anything, more hated than innocuous Muggleborns. Muggleborns might be a sport; half-bloods of slumming mothers are living proof that some old Muggle ram was tupping a pureblood’s white ewe. Every feeling revolts! Or at least, every feeling should revolt, if blood prejudice were truly the analogue to racism. (The last cross-burning that I know of in my state was at the home of an interracial couple, not of a political activist.)

And "one single wizard ancestor" should not be enough to purify one's family for the MBRC. Under the Nuremberg laws a single Jewish grandparent polluted one’s “blood”; under Southern law & custom, a single provable African ancestor ANY number of generations back made one a "black". (In Barbara Hambly's mystery A Free Man of Color, set in turn-of-the-nineteenth century New Orleans, the plot hinged upon the fact that a plantation owner’s "white" wife and his "black" mistress were visually indistinguishable. But this fact affected the legal and social status of neither.)

Sorry, I personally just can't "get" the idea of a racist who ACCEPTS miscegenation, welcoming the offspring of mixed marriages without a murmur even while discriminating against one parent. That just doesn't match the racism I’ve seen in real life.

*

So. We’re looking instead for a real-world prejudice supposedly based on blood/birth/heredity. Which is, however, only partly heritable—children of “mixed” marriages are acceptable to all except the most prejudiced of those of “purer” blood, and a family of no lineage at all can eventually become (mostly) accepted if said family joins the community and behaves as proper members for long enough.

That’s not how racism works. Prejudice against immigrants comes closer. But if Georgette Heyer and Jane Austen (and historical texts—but HP is literature, so I’ll stick mostly to literary precedents) are to be believed, class prejudice in England has worked in exactly that way.

Ever heard the term “blue blood”? And “bad blood”? Class apologists have clung to “blood”-based myths of superiority just as much as racists have. (Of course, those ‘blue-blooded’ aristocrats were also usually racists as well….) But their separation of themselves from “commoners” with “common blood” (terms used, significantly, by Tom Riddle and Ron Weasley, from opposite ends of the pureblood supremacist political spectrum) was not quite like racism, though it shared many of the same markers.

In old-style class prejudice, blood will always tell. But with a mixed marriage, while the inferior spouse can never be wholly acceptable, the offspring might go either way—depending on their upbringing and which parent they favor. And it’s possible to move upward even without intermarriage.

*

For a great rendition of the class-is-carried-in-the-blood school of thought, read Heyer’s These Old Shades, which I loved at seventeen but which made me cringe when I reread it when I was more politically aware. It is, among other things, a retelling of “The Princess and the Pea.” A nobleman’s only child, a daughter, was traded at birth for a peasant’s boy (her father needed a son to cut his younger brother out of the succession). She shone among the canaille like a jewel flung into a pigsty. Her intelligence, beauty, and native refinement survived every degradation intact; she was ultimately restored to her rightful place and married the Duke of Avon. The peasant boy exchanged for her, raised as a Vicomte, was a clodhopper who pined for pigs and was delighted, at the end, to trade the splendors of Versailles for a muddy farm.

See, insists Heyer, noble blood really does confer an inherent distinction over commoners.

The author of Nature’s Nobility would entirely approve of Heyer’s thesis; s/he simply differs in exactly what makes someone count as noble.

Here’s Heyer’s description of the switched children at nineteen. First, his supposed uncle’s description of the peasant Vicomte: “A boorish cub, Justin, with the soul of a farmer…. Mon Dieu, but there must be bad blood in Marie! My beautiful nephew did not get his boorishness from us. Well, I never thought Marie was of the real nobility.”

Next, the description of the two teens side by side: “For a moment they stood shoulder to shoulder, the one slim and delicate, with eyes that matched the sapphires… and glowing curls swept back from a white brow beneath whose skin the veins showed faintly blue. The other was thickset and dark, with square hands and short neck; powdered, perfumed, and patched, dressed in rich silks and velvet, but in spite of all rather uncouth and awkward.

“The Vicomte bowed, but although his bow was of just the required depth, and the wave of his hat in exact accordance with the decrees of fashion, the whole courtesy lacked spontaneity and grace. He bowed as one who had been laboriously coached in the art. Polish was lacking, and in its place was a faint suggestion of clumsiness. (TOS, Chapter V)


In Heyer’s fantasized world, blood clearly does tell, just as much as Aunt Marge and Hagrid think it does. It’s real, in this fictional world, that Leonie’s blood is better than Henri’s. That’s blood-based classism. And you’ll note both the similarities between lower-class and inferior-race stereotypes (Henri is also stupid and Leonie bright), and the references to “bad blood” and “the real nobility”.

But here’s the paramount difference: class, unlike race, can be changed over time. After four generations of my Chippewa ancestors marrying into French, English, Norwegian, etc., stock, a white boy in my home town (near the edge of a reservation teeming with every shade of half-breed) could look at me and call me, unerringly, a squaw.

But he couldn’t deny that I was as middle-class as he.

Income, education, and behavior make up most of the class differences in America today. (There are still snobs who believe in tracing genealogies, but they have little influence in general society.) In Britain, however, there are still the remnants of hereditary classes. But although “class” is as socially-constructed as “race”, and although it can be inherited, unlike with “race” the aristocracy has always been open to invasion by outsiders. A commoner could gain distinction (through great deeds or, apparently, great monetary gifts to the Crown) and be knighted or granted a title. And a commoner could sometimes marry in.

However, “new creations” were sniffed at by the older families. (Jane Austen’s Sir Walter Elliott notably consoled himself for being dunned by sneering at those inferior new baronetcies.)

And intermarriages between gentry/noble and common could, apparently, go either way—either dragging down the superior or elevating the inferior. But again, in either case, the children of such a match could end in either class, depending on which parent s/he favors and how s/he is reared. In Heyer’s Devil’s Cub, a marriage between a dissipated aristocrat and a woman of no birth and less virtue results in the aristocrat’s permanent degradation and in two daughters. One is semi-adopted by her paternal grandfather and educated at a select seminary; the second is reared wholly by her mother. The first is a lady; the second, a bourgeois whore-to-be.

Or read Heyer’s A Civil Contract. Merchant’s daughter Jenny Chawleigh is raised by her marriage to a viscount to the ton, but everyone knows that she doesn’t really belong. And Jenny suffers under that sting.

But Jenny’s son will belong. Between his noble father’s blood and his vulgar grandfather’s wealth, he’ll be a highly desirable parti when he’s grown. As Harrow-educated Major Darracott in The Unknown Ajax, with noble blood from his father and “gelt” from his mill-owner maternal grandfather, is an excellent “catch” for anyone.

One can even, to some extent, be simply educated upward. This was attempted with Jenny Chawleigh, with some limited success. (Her public manners show no vulgarity, but she continually betrays in her private reactions that she’s not really one of the ton.)

There’s even a Heyer novel (The Foundling) in which a boy, an ironmaster’s son, is being educated to move in higher circles than his father’s. A young duke befriends him, and at the end of the book offers to use his influence to get the teen a place at a public school. There he can be socialized to act like gentry, simply by learning to follow his better-born schoolfellows’ lead. This is portrayed as a more natural and congenial method of assimilation than what poor Tom had endured so far, which was having proper manners and knowledge beaten into him by a private tutor—a bullying, nasty, severe, unsympathetic-to-pranks schoolmaster.

Named Snape.

I think we can infer that JKR is at least familiar with Heyer, and with Heyer’s brand of classism.


Or turn to Austen, whom JKR admired and who had the advantage of setting her stories in the time and society in which she lived and who was praised for realism. In Pride and Prejudice, Lizzie Bennet is the offspring of a mixed marriage between a gentleman and a woman of lower birth —and the resultant unfortunate connections hinder both Lizzie and her older sister from marrying well. But Eliza and Jane, those gentleman’s daughters, themselves behave as gentlewomen and therefore merit being treated as such. Whereas their younger sisters betray that they belong more to their mother’s lineage.

(And then Bingley himself isn’t born into an old family—his father’s fortune derived from trade. But he was educated as a gentleman, and he is properly without occupation.)

The Price family in Mansfield Park is the result of a mésalliance between a gentlewoman and a marine. The woman was degraded by her match, and depending on both their differing natures and their educations, the resulting offspring range the entire gamut between vulgar and exquisitely refined.

And consider the snobbish eponymous Emma—who had to fantasize that the bastard Miss Smith had a noble father in order to consider her worthy of being Emma’s companion. “Harriet’s parentage became known. She proved to be the daughter of a tradesman, rich enough to afford her the comfortable maintenance which had ever been her’s, and decent enough to have always wished for concealment.—Such was the blood of gentility which Emma had formerly been so ready to vouch for!—It was likely to be as untainted, perhaps, as the blood of many a gentleman: but what a connexion had she been preparing for Mr. Knightley—or for the Churchills—or even for Mr. Elton!—The stain of illegitimacy, unbleached by nobility or wealth, would have been a stain indeed.” (Emma, Vol. III, Cptr XIX)

So in classism we have a prejudice, based (falsely, I hope we all agree) on “blood.” In my opinion (and that of scientists), there’s no difference between Emma’s blood and Harriet Smith’s, or the Duke of Avon’s and Jenny Chawleigh’s. (Or there wouldn’t be, were any of them real people rather than fictional characters.) Yet Emma and the Duke (and Harriet and Jenny—and to some extent, both authors) BELIEVE that “the blood of gentility” is better than “common blood”.

The first-generation interlopers are considered inferior by some of their social superiors. And they are portrayed as usually acting incorrectly ( “that total want of propriety so frequently, so almost uniformly betrayed by [Lizzie’s mother]” (P&P, Vol II, XII)—which is not at all unlikely with cultural immigrants dealing with different social norms. Eliza’s uncle and aunt, the Gardiners, are the only true “tradesmen” depicted in Austen as behaving convincingly like “people of fashion.” Yet Austen also gives us respectable naval officers—and the navy is therefore decried (by that contemptible snob, Sir Walter) as a “means of bringing persons of obscure birth into undue distinction, and raising men to honours which their fathers and grandfathers never dreamt of.”(Persuasion, III)

Georgette Heyer, living more in fantasy-land, has not a single low-born character who manages to act like an aristocrat. In those few books where someone seems to manage it, a surprise awaits the reader about that character’s “blood.”

But in both Austen and Heyer, the second and following generations—whether or not they intermarry with their superiors to clear their blood of its taint—are looked upon with a little suspicion (in particular, that they might foist their vulgar relatives off on one). But if they are well-off, properly educated and ACT like gentry (and eschew those “dirty dishes”, their lower-born kin), they are accepted as such.

So either cultural assimilation/education or marrying “up” can eventually remove the taint on lower-class blood. Which is wholly unlike the racist’s “one drop (or one quarter) of bad blood taints the whole line” scenario.

Indeed, Jane Austen’s own position on the class issue seems to mirror the inclusionist faction in the WW—the Weasleys and Dumbledore.

Truly “low” people, servants and tradesmen and mill workers, the real members of the lower classes, are never treated as equals by Austen’s protagonists. A true gentleman or lady would never go out of hir way to harm them, but their sensibilities don’t require the same consideration as ours…. For the most part, they simply don’t exist; they’re entirely outside the view of Austen’s characters.

Austen’s paragon Anne Elliott, in fact, failed utterly to notice when Nurse Rooke, whose stories she’d been enjoying at second-hand for weeks, was the one to escort her to Mrs. Smith in the stead of the landlady or maid. Servants are LITERALLY indistinguishable. Yet it’s inconceivable that Anne would abuse a servant, or even be consciously rude to one.

Similarly, the Weasley/Dumbledore faction considers torturing or killing Muggles to be entirely unacceptable. But invading their homes without permission and Obliviating and Confunding them for one’s convenience is universally taken for granted. In short, one shouldn’t deliberately mistreat a Muggle. But one need never afford “them” the consideration due “us.”

However, persons sprung from the lower classes, but who have bettered themselves by acquiring wealth, education, and polish, should be accepted as all-but-equals by anyone except objectionable snobs. Darcy was wrong to take undue pride in his family’s antiquity, and right to accept Lizzie’s uncle “who lives somewhere near Cheapside” as a valued acquaintance once he knew him. And Lizzie and Jane themselves, and the Bingleys (whose income derived from trade) are worthy to tread the woods of Pemberley. That refinement of pride which claims that unbroken descent from the ancient families is necessary to make someone a true equal, is a vanity which makes its possessor contemptible…. Exactly as Ron Weasley explained about the Malfoys.

By this analogy between JKR and Austen:

Muggles=the vulgar: farmers, tradesmen, mill workers, servants & all the others—almost invisible in canon Austen, even though they comprised most of the actual British population. But they don’t count; they (and their feelings) don’t matter. Any more than we see actual living Muggles matter to any wizard/witch, whatever hir political leanings.

Muggle-borns=first generation self-improved (the Gardiners, Sir William Lucas, Captain Wentworth).

Literal Half-bloods=the Bennets, the Prices (offspring of a marriage between superior/inferior).

Half-bloods sprung from assimilated Muggleborns=second generation improved (the Bingleys, Charlotte Lucas).

Purebloods=pure descendents of “respectable, honourable, and ancient, though [sometimes] untitled, families” —Lady Catherine, Darcy, Sir Walter Elliott.

Darcy and Anne Elliott, in this view, are like Ginny and Ron Weasley, enlightened beings breaking the purity of their family lines to marry, respectively, the equivalent of a half-blood and a Muggleborn.

And the Malfoys’ treatment of half-bloods would to some extent mirror Lady Catherine’s or Sir Walter’s unamiable position: excluding excellent and worthy people as potential mates because their families are not ancient enough (“pure”). They admit them to acquaintanceship (Narcissa calls Snape Lucius’s friend; Lady Catherine admits Elizabeth to her home), but keep them in an inferior place….

Walburga and Bellatrix (and the DE’s in general) have no equivalent in either Austen or Heyer because neither admitted that upper class prejudice could either lead to serious abuse or that their privilege could need violence to enforce it. We do see characters (Mrs. Price’s family, Sir Giles Challoner) who, like the Blacks, cast off their children for making a mésalliance. And the distinction the Malfoys made between accepting half-bloods partially but Muggle-borns not at all is matched by Heyer’s haughty Duke of Avon, who consorted with the French king’s illegitimate sons while scornfully turning his shoulder upon Versailles’ most beautiful, brilliant, and powerful woman, the king’s mistress Madame de Pompadour. She was, after all, born a fish-merchant’s daughter. Sniff.

A better parallel to someone like Walburga might be found such characters as St. Evrémonde in Dicken’s A Tale of Two Cities, whose casually brutal mistreatment of peasants started a decades-long chain of revenge culminating in Madame Guillotine. And in real history you do have aristocrats who abused the “lower orders” quite horrifically, sometimes for sadistic pleasure (de Sade, remember, was a Marquis), sometimes as a deliberate tool of political oppression, sometimes as a mere matter of course. Countess Bathory comes to mind as a possible model for dear Madam Lestrange.

This reading also makes much more sense of Voldemort’s position vis-à-vis the Purebloods. Tom is not some President Obama suddenly volunteering (and being accepted!) as a leader of the KKK; he’s rather William the Bastard. Or “the Conqueror,” as William preferred to style himself. William was the son of a duke on one side, a tanner’s daughter on the other. And there were many in William’s youth who held his birth and “blood” against him. But by the time he’d become William I of England, his father’s indiscretion and his maternal grandfather’s profession were no longer being, ah, discussed in polite society.

(Although “Lord” Voldemort, unlike William the Bastard, seems to have obscured his “blood” from his later followers, if Bellatrix is to be believed. However, I can perfectly credit that William might have wanted to do the same had the opportunity ever been offered him.)

And offering Lily a chance to join the DE’s (as JKR said in interview Riddle did) was perhaps in effect giving Lily the chance to be another Jeanne du Barry. Jeanne Becu, that, er, seamstress’s daughter, was far too low-born to sleep officially with a king. So Louis XV married her off to an ersatz noble to whitewash her origins, to make it more acceptable to install her at Versailles…. Not that his haughty duchesses actually accepted her, but no one afterwards expected Jeanne to be loyal to the scum from which she’d sprung.

And she was not. Lowborn (lowest-possible-born) Jeanne ended by being executed in the French Revolution for royalist sympathies.

So with regards to adolescent Snape’s understanding of Lily’s best chances for safety, remember that in the French Revolution, when it came to open warfare between the aristos and the sans-culottes, it was the sans-culottes who killed the seamstress’s daughter. While the aristos were on top, she was safe.

Finally, Hermione’s contention that many of Voldemort’s followers were half-bloods “pretending” to be pure now makes sense.

When we looked at DE’s as being some hybrid between the KKK and the Nazi party, it made none. Why on earth would blacks and Jews (even half-blood blacks and Jews) want to join, even were they permitted? And why would Hitler allow, much less invite, a Herzl scion or a Jesse Owens to join him? And insisting that a scion of a known (published in the social pages!) mixed marriage could “pretend” to be pure Aryan? Does not compute, any of it.

But if we look at the DE’s as Tories, upholders of ancient privilege against those who would tear it down—and selected half-bloods as the newest would-be inheritors of that antique privilege—it all comes together. A properly educated half-blood (or even the occasional exceptional Muggle-born) could hope eventually to be accepted—by merit or by marriage. (Eliza marries Darcy, and Captain Wentworth marries the baronet’s daughter, after all.) And even if they are not quite fully accepted, their children can be. Everyone except the highest sticklers, the worst snobs, will accept them if they work hard enough to assimilate….

In fact, if they achieve enough power, even the worst snobs will have to accept them. Just ask the tanner’s grandson, William the Bastard. Or that cloth-merchant’s great-granddaughter, Good Queen Bess.

So the trick is to amass power enough.

Of COURSE the most ambitious half-bloods were drawn to this.

The half-blood DE’s weren’t pretending to be pure. They couldn’t—in a small, mostly closed society everyone knew each other’s origins. They were assimilating, showing their allegiance to the class to which they aspired. Now, Austen’s Bingley didn’t have to use violence to disavow his family’s origins, nor did Darcy enforce his privileged status by having his lackeys flog the peasantry. But… remember that “class warfare” has not always been just a metaphor.

The only thing we’ve ever been told about “Lord” Voldemort’s public programme in the late seventies was Kreacher’s account of Master Regulus’s fanboy enthusiasm: “For years he talked of the Dark Lord, who was going to bring the wizards out of hiding to rule the Muggles and the Muggle-borns…”

In the real world, there have been occasional differences of opinion between the rabble and their “betters” as to whether the “betters” had any actual right to lord it over the rest of us.

Insolent villains (originally villeins) who resisted aristocrats’ claims to power were not actually treated terribly kindly, though it’s been long enough ago that we tend to [want to] forget these things. To take an English example, for preaching the following—not for actions he took—the Lollard priest John Ball was given the most horrific and shameful death in his nation’s repertoire—being drawn, hanged, and quartered:

“When Adam delved and Eve span, who was then the gentleman? From the beginning all men by nature were created alike, and our bondage or servitude came in by the unjust oppression of naughty men.”

I do think that “Lord” Voldemort would have taken issue with this sermon as much as did Richard II.

So in saying that pureblood supremacism is more akin to virulent class prejudice than racism, I am not claiming that it’s more benign than racism.

Only different.
  • Thank you for that - it saves me the research!

    It's probably also worth remembering that the (impoverished) British upper classes were not above trading their titles (and 'blood') for cash - most notably in the late 19/early 20C when American heiresses were actively sought out to provide 'an heir and a spare' for the ailing great houses of Europe, and no question that the offspring of such alliances were regarded as in any way inferior to the 'pureblood' European Dukes, Earls and Princes.

    JKR does address racism in the books - but through the medium of the Wizards attitude to the literally different magical races - centaurs, mermaids, giants, and... house elves.

    Though in the latter case she's also exploring the relationship between the British upper classes and their servants (the 'honour' of service, and 'noblesse oblige') rather than the somewhat simplistic 'slave' analogue that many readers (and Hermione) appear to assume.
    • Though in the latter case she's also exploring the relationship between the British upper classes and their servants (the 'honour' of service, and 'noblesse oblige') rather than the somewhat simplistic 'slave' analogue that many readers (and Hermione) appear to assume.

      Too bad Eton candidate Justin Finch-Fletchely dropped (almost completely) out of the story after COS. I wonder if he would have been able to give a more rounded view. I wonder how he interpreted his status in the Wizarding World.
    • Good points, and I feel a plot-bunny coming on!

      For example, if the house-elves are truly slaves, as Dobby seems to confirm, then no matter how badly they're mistreated, they still can't leave, what happens if they have a master who kills them? Would the master even be tried under the current system? No mention is made of any sort of house-elf rights whatsoever.

      Maybe I can write a fic regarding this subject. Thanks for the idea!
      Alison
  • Thank you for such an excellent and thought-provoking essay!

    I agree completely that you've hit the nail on the head: the WW does indeed seem to me, as well, to have closer parallels to class distinction rather than race.

    I also think that the idea "So the trick is to amass power enough" should read "money" instead of "power". Remember that Mr Weasley had a rather lowly job in the Ministry even though he was a Pure-blood, which I had at first imagined was because he was viewed by others as something of an odd-ball for his fascination with all things Muggle.

    I still think that, but also believe that because he was poor he was sidelined, whereas Lucius Malfoy, who was Pure-blood but also rich (and willing to donate money generously to the Ministry) was fawned upon and actively listened to and encouraged, even though it was suspected that he'd once had DE sympathies (at the very least!)

    This also makes it easier to understand why Umbridge in Deathly Hallows wanted to buy the silver locket from Mundungus: it was obviously old and valuable, so to claim that it had been in her family for generations when the purge began in the Ministry was sensible politically: leading me to think that Dolores might have had a few Muggle skeletons tucked away in her own family closet that she wanted to keep hidden!

    Alison
  • I support this view. 8^)
  • Oh, yes, this makes sense! Brilliant, Terri! But - is it all really a political screed, then? I have sensed a classist undertone to these books, but didn't think it was intentional - it's odd, because, on the one hand, Rowling criticizes classism by (as you point out) having her "bad guy" be classist. On the other, she gives us classist stereotypes in her depictions of Stan Shunpike, Ernie, Hagrid, and even Severus Snape - who is the only wizard definitively from a working-class background that we see. She also seems to truly believe she is writing about racial prejudice. So it's all very odd.

    Brilliant essay, though. I must say, your summaries don't make me all that eager to read Heyer.
  • TBH I lost the ability to pay attention about 3/4 of the way through, but that could be due to the contents of my glass *looks at it askance*. It was interesting to read your reasoning and evidence though. I still think it's meant to be both race and class prejudice without being a perfect map to either. That is, that intrusion of enough authorial intent has prevented it from being perfectly consistent within its own universe. But I liked this:

    This is portrayed as a more natural and congenial method of assimilation than what poor Tom had endured so far, which was having proper manners and knowledge beaten into him by a private tutor—a bullying, nasty, severe, unsympathetic-to-pranks schoolmaster.

    Named Snape.


    ...lolwut? Awesome.
  • Thank you for an interesting essay!

    When I read the first few books, it seemed obvious to me that JKR was talking about the class system, especially since my English friends assured me that class prejudice was still alive and well (and a lot of causing psychological damage to people) in Britain. When I saw people on some sites arguing that JKR actually meant racism, I thought they were way off base. I didn’t really believe it until DH, when she became blatant with the allusions to Nazis, WWII, etc.

    So obviously JKR meant racism, but it was so poorly done that I'd missed her point entirely. I still wonder if she started off with class prejudice in mind, and then switched to racism toward the end because she thought it would be more profound.
    • (Anonymous)
      I still wonder if she started off with class prejudice in mind, and then switched to racism toward the end because she thought it would be more profound.

      Or so that her non-British readers would "get" it, perhaps.

      JKR might have intended to write blood prejudice as racism, but found that that came into conflict with other things that she wanted to do. For instance, she wanted to write Harry as growing up (to age eleven) without any knowledge of the WW. That makes it more difficult for him to be a pureblood. She could've worked a backstory out, but that would probably have ruled out returning to his Muggle "family" for the summers, which she also wanted to write.

      On the other hand, she wanted to write him as a celebrity, admired by everyone. She even wrote Draco as wanting to be his friend, so that *Harry* could turn down *Draco's* friendship. That doesn't fit prejudice against half-bloods very well.

      Also, JKR liked the idea of giving Harry a choice between the two sides. CoS ends with that discussion between Harry and Dumbledore about choosing not to be in Slytherin. And in PS and HBP, Harry and Dumbledore respectively talk as though Harry had a choice about joining Voldemort. In PS, even Voldemort at least pretends that Harry might join him, when trying to get Harry to give him the Stone. For that choice to work, Harry has to be acceptable to both sides, and that doesn't quite fit if Harry has some Muggle background, and the prejudice against "impure" blood is absolute. So, something had to give.

      Lynn
  • Anything BUT? No. Racism PLUS? Yes.

    Sailorlum argued passionately that to call the WW’s “blood prejudice” anything BUT racism is totally to miss the point because after all, “blood prejudice” is, by definition, based on “blood”. And so is racism. Ergo, they are the same.

    Let me set the record straight, here:

    Actually, I argued passionately that to deny that blood prejudice is a form of racism (along with any other -ism it also happens to fall under) is to miss a big important part of the point.

    Blood prejudice is both classist and racist, due to the huge intersect of pure-blood and "blue blood". (I touched on that briefly when Lucius Malfoy and his elitism got brought up). I don't have any problem with someone saying "Hey, look at how classist blood prejudice is" as long as they aren't denying that blood prejudice is also racist. To deny the racism is to miss an important part of the picture.

    Let's look at Severus:

    Severus is a poor half-blood. He doesn't have 'pure money' class privilege but he has *some* blood privilege and *some* "blue blood wizard" class privilege. Severus has got less 'pure money' class privilege than Lily, but he's got more blood privilege and more wizard class privilege than a Muggle-born like Lily, all while having less blood and wizard class privilege than a half-blood that isn't half and half, and further less than a pure-blood like Lucius (who has more blood, 'pure money' class, and wizard class privilege than Severus).

    For some pure-bloods, an exception must be made for Severus, and Severus's half amount of blood and wizard class privilege (and his talent) makes that exception possible to those people. That doesn't mean that those who make the exception for Severus aren't racist (and classist). They are just less racist and classist than say...Walburga Black. And that's not saying much.

    While we are on the subject of "blue blood"...This kind of classism is fused with racism. It certainly started out as a dual racist/classist prejudice. There's definitely an intersect, even today - the "old money" seems to be pretty "white". Exceptions are made, but they are just that: exceptions.

    Furthermore, there are different types of racism, just as there are different shades of...let's say...the color blue. Look at all the Shades of Blue.

    Is cyan exactly the same color as navy blue? No, but they are both blue.

    Now what about indigo and teal?

    Indigo has violet in it. It's still blue but it is also violet. Here it is also under the category of Shades of Violet.

    Teal has green in it. It's still blue but it is also green. Here it is also under the category of Shades of Green

    Similarly, blood prejudice is still racist but it is also classist. It's under both umbrellas.

    With racism and other -isms, it's just like with the colors above - there are shades and it's not always one or the other. Sometimes (often, even) there's an intersection/overlap.

    For instance:

    Is anti-Semitism exactly the same as anti-"black"? No, but they are both a form of racism.

    Does anti-Semitism have a big element of religious persecution to it? Yes, but that doesn't make it any less racist.

    On the flip side, does anti-Semitism have a big element of racism to it? Yes, but that doesn't make it any less a religious prejudice.

    Also, there are degrees of racism. One need not be a cross burning member of the KKK to be a racist or to have racist views or to be/act racist.

    Sliding scale of racism:

    Unconscious stereotyping <------------------------------------------>Genocide

    The ---- line represents all the shades of gray within racism.

    Here's a good article on some of the subtleties of classism and racism: http://whatprivilege.com/white-trash-blues-class-privilege-v-white-privilege/

    That's all I've got to say. This is the only post I'm making here. Reply, retort, rebut, or whatever, but I'm done here. I'm not getting sucked back in to another wankstorm (but I did want to set the record straight...and got sucked in a little).
    • Re: Anything BUT? No. Racism PLUS? Yes.

      Does anti-Semitism have a big element of religious persecution to it? Yes, but that doesn't make it any less racist.

      On the flip side, does anti-Semitism have a big element of racism to it? Yes, but that doesn't make it any less a religious prejudice.


      Historically antisemitism had different forms in different times. Before the 19th century it was mostly religious persecution with some classism thrown in. The racist element is a 19th century add-on. The difference was that one could escape religious persecution by religious conversion, if the conversion was believed to be genuine (the probability of being believed varied with time and place) but there is no escape from racist persecution.
    • Re: Anything BUT? No. Racism PLUS? Yes.

      Thank You! Someone needed to say this. I think the wizarding world has all the isms of so-called muggle society and like muggle society these isms intersect.

      I find it troubling that all the major half-blood or muggle born characters are either self-loathing or assimilationists. Rowling's writing suggests that in order to be a good wizard one must uphold the status quo, not to mention treating non-magical family with disregard or contempt. Rowling, however writes most of her muggle characters as either unsympathetic or so far in the background they have very little importance to the story. In a strange way Rowling is othering muggles.








  • So in saying that pureblood supremacism is more akin to virulent class prejudice than racism, I am not claiming that it’s more benign than racism.

    Only different.


    Would it be correct to say that racism might end up like classism if the races are completely indistinguishable visibly? Where anyone can 'pass' at least at first blush, because the group one comes from can only be ascertained based on things like behavior, accent, attitude which are learned and can, to varying degrees of success, be unlearned or relearned?
  • There. I Said It.

    Must we listen to Sailorlum? She is making fun of us at HMS StFU, and was doing the same throughout the last discussion. I do not feel I am free to state any opinion here without being attacked. Do you?
    • Re: There. I Said It.

      (Anonymous)
      I had decided against replying to her posts anymore in any case, but thanks for that info. I promise I won't reply to her posts.

      I do think that Terri's essay was very interesting, though, regardless of what prompted it.

      Lynn
    • Yes, I noticed that too a while back. I know that anything one says in a place like this can turn up on fandom_wank or HMS STFU because there are always lurkers, but having someone actively posting both places seems rather duplicitous.
    • Re: There. I Said It.

      I'm sorry, but we'll be mocked there no matter what we do, you'll have to endure it in good grace. In this particular case the name was quoted in the original post, a reply is to be expected under these circumstances.
      It's not worth going all locked up in any case. You should laugh about them and feel proud instead. Because, you know, think about the difference between people who create something and people who mock. I know which side I'm on.
    • Re: There. I Said It.

      (Anonymous)
      That's because you set it up so that people can make fun of you. Couldn't you find a more modern author to make the point than Georgette Heyer? 'These Old Shades' was published in the twenties, that makes it almost 90 years old. Social mores have moved on considerably since then. And even at her most prejudiced Heyer could write an entertaining and funny story. If you had picked a more modern novelist who could write as well as Heyer, your post would not be so open to mockery. Personally I can't think of anyone who writes like that in the present day, but I could be wrong. The big problem is that Snape does say racial slurs. He did join a gang of racist criminals. Now perhaps in his heart of hearts he was not bigoted, but that's not really important. His action speak louder than words and his words were bad enough without the actions. His later change of heart does not change what he did. Like the words from the poem,

      The Moving Finger writes; and, having writ,
      Moves on: nor all your Piety nor Wit
      Shall lure it back to cancel half a Line,
      Nor all your Tears wash out a Word of it
      -- Omar Khayyam

      Snape's tears cannot change his original actions. They are over and done with. He might have been as pure as driven snow in his heart, that did not change what came out of his mouth and it does not change the fact that at that time in his life he proclaimed his loyalty to a murderous madman and that madman's cohorts. He cannot change what he did, he can only try to change his words and actions in the future. I personally think he did a lousy job at that, but that's my opinion.
      I dislike anonymous posts. I am summeriris at LiveJournal.
  • (Anonymous)
    The essay is interesting, but flawed in key points.

    Southern racists and Nazis both felt that intermarriage with an “inferior race" didn't raise the inferior--it tainted the superior

    Meanwhile, Australian racists felt the opposite when it came to Aboriginals. Racism as you experienced it is not all that racism is, and is not every form racism can take.
    As anyone who knows anything about racists knows. Racism isn't based on logic - these things are based on completely random decisions. The Nazis decided that jewish blood was generally degenerative, whereas the Australians decided that white blood was inherently purifying. Both are illogical claims, and racists randomly chose them, with no logic behind them.

    That is because it's racism, an inherently illogical act.

    . And certainly Draco could never have boarded the Hogwarts Express with the firm intention of befriending Harry Potter. I mean, can anyone credit David Duke’s dutiful daughter (assuming he had one) trying to suck up to Malia Obama?

    Again, this is not how racists actually act. Racists have no problem whatsoever to ally with members of the "inferior" race as long as it suits the racist.

    Example: William Potter Gale, a jew who was embraced by racists, and who preached about evil jews all his life.


    Let's face it: You approach racism as if the only aspect of racism that exists were American Racism, specifically White-on-Black racism. This is untrue, and assuming it makes you fundamentally ignorant about how racism works in the real world. As does arguing that racism and classism are divided - often, they are not. Especially british racism is very often tied to classism.

    Rethink your essay. Right now, it only impresses American readers with little understanding of international matters. It is, however, still factually wrong.
  • What about the power of individual talent and self-respect?, Part 1

    Thank you for another interesting and thought-provoking essay, Terri.

    No offense, but the thing that struck me most about your essay was not anything you wrote, but the quotation from Heyer’s book about Henri, the pretend nobleman. As a longtime fan of Beethoven, her description of Henri sounds exactly like him: stocky, swarthy, clumsy, dressed like a noble, but betraying his ignoble origins by his behavior.


    The resemblance ends there. Even though Beethoven was not a noble and everybody knew it, he still managed to become close friends with many of the highest-ranking nobles in Austria, who treated him pretty much as an equal. He was even allowed to court high-ranking noblewomen. Although some of them dismissed him as unworthy because of his birth, others took him seriously as a suitor. The nobles’ acceptance was partly because they recognized him as a supreme genius and partly because he refused to be treated as anything other than an equal. During an argument with a royal friend, he is supposed to have yelled, “There have been and will be hundreds of princes! There is only one Beethoven!”


    The power of this demand to be treated as an equal is shown in a famous story: Beethoven and Goethe, one of the composer’s few intellectual equals and a low-ranking noble, were out walking together one day when they noticed a group of higher-ranking nobles was coming down the same path in the opposite direction. Goethe stepped to the side of the path and bowed, as befit one of lower birth when greeting a superior. Beethoven settled his hat firmly on his head and barreled his way through the nobles without apology.


    What’s just as interesting as the genius’ behavior is the nobles’ reaction: They acknowledged Goethe politely, taking his submissiveness as their due. They also greeted Beethoven and laughed indulgently at his boorish behavior. “Oh, well, that’s just the way he is,” was their attitude.

    Beethoven’s demand for respect created a permanent change in the way European society treated musicians. Never again were they treated like servants, the way they had been before he came along.
  • What about the power of individual talent and self-respect?, Part 2

    The same thing happened about 150 years later in England when the Beatles became famous. They grew up in Spinner’s End-style working class row houses and had the accents and behavior to prove it. They refused all attempts by record company executives and other “experts” to make them over by adopting upper-class accents, acting more refined and less smart-alecky, or taking fancier stage names such as “Rory Storm” or “Tommy Steele” (except for Ringo, who had already changed his name before joining the band). They never covered up or apologized for their backgrounds. In fact, they sometimes exaggerated their Scouse accents to sound more working class and Northern. (People from Northern England were considered “hicks from the sticks” at that time.) When United Artists wanted to have their voices dubbed by professional actors in A Hard Day’s Night, they flatly refused. They were so effective at forcing people to accept them as they were that when Yellow Submarine was made a few years later and their characters were voiced by professional actors, the actors had to emulate the Beatles’ Liverpool accents.

    Like Beethoven before them, the Beatles’ demand for respect caused a permanent change in English society. Never again did working class rock musicians try to hide their origins.

    Mind you, I’m not saying all five of these men were not still subjected to classism. They were. But the treatment they received was vastly superior to what they would have gotten if they’d accepted the valuations of their “betters” and gone around cringing and apologizing for their existences.

    One major reason Our Own Dear Severus got pushed around as if he had wheels was because he bought the lie that he was inferior for being working class and a half-blood. I want to make it clear I’m not blaming the victim for his own mistreatment here. Bigots and bullies are responsible for their own bad behavior. That’s no reason to make their job easier by going along with their disparaging valuation of you.

    One of the reasons these books are so screwed up is because there isn’t anybody of great talent and lower status who has the guts to spit on the wizarding world’s prejudices and demand equal treatment regardless of their blood status or class. Hermione and/or Severus could have taken on that role, but they sold out instead and became co-opted by the very system that oppressed them, as dreamingjewel pointed out above. To paraphrase Abraham Maslow, Hermione may be a happy, smiling, contented slave, while Severus is an angry, bitter, resentful slave, but they’re still both slaves.

    BTW, has it occurred to anyone else that James’ and Sirius’ bullying of Severus was a campaign of hate crimes? It qualifies because he was a different class, blood status, and House from them. I realize the concept of “hate crimes” didn’t exist in the 1970s, but just because something doesn’t have a name doesn’t mean it doesn’t exist.
  • Picking Rowling’s Brain

    As for the confusion in Rowling’s work regarding racism and classism, I can think of a couple of possible reasons for that.

    1) For the first several years she was working on the books, she was a welfare mom, then working as a teacher, which I don’t think pays well anywhere. Those experiences would have focused her mind on the struggles of working- and middle-class people. As she became wealthy and famous, those problems would have diminished in importance in her mind.

    In addition, there’s a saying that nobody complains about the system that made them successful. Her success may have caused Rowling to believe, “If I could do it, anybody can.” As she came to identify more with wealthy and successful people, she may have become reluctant to risk fights with her new peer group by continuing to champion the struggles of the lower classes. These changes in her thinking need not have been either conscious or intentional.

    However, because she still was trying to be a decent person writing about oppression, she could have switched her focus and emphasized racism more. As a supposedly liberal white person, that’s a safe topic for her to pontificate on no matter her social class or income.

    2) It’s also possible she intended to write about racism all along and thought she was doing that. Then she got fan feedback and realized her message wasn’t getting through, so she decided to make it unmistakably clear what she was meaning to say.

    BTW, I think it’s really funny that Hagrid is presented as a great guy, and Aunt Marge is presented as a jerk, but they make the same bigoted, biologically inaccurate remark.

    As an aside, it’s very interesting that an ex-teacher presents disrespect to teachers, wandering the school grounds at all hours, and dangerous stunts in the classroom--i.e., throwing firecrackers into a cauldron--as fun, harmless behavior, and the teachers and staff who try to enforce the rules as mean spoilsports. This is yet another outstanding example of Rowling’s not knowing her head from her butt.
  • Terri, you may want to look at our syndicated site, too: http://syndicated.livejournal.com/snapedom_syn/195056.html.
    There are a few comments there.
  • Classism

    (Anonymous)
    Great essay, Terri. I really enjoyed it, it is very thought-provoking. And I think you are right in your analysis.
    Anna M
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