"I was really fond of Tom Strong, but somehow missed the final issues and never got to see how it ended."
That's one of the reasons I chose to post this. I figured there were some people who stopped paying attention to the title once it started using guest writers and hence didn't know about this issue.
"Sure, one could read some fascist overtones in *parts* of Tom Strong, but I think that was really just Moore writing to the genre, warts and all."
Yeah, that pretty much sums it up, I'd say. Some of Klock's evidence for fascist overtones were elements that can just as easily be found in any random issue of Superman or Fantastic Four.