Bringing new meaning to the notion that artists are insane - Crazy Quilt Pt 1
As promised, in honour of his appearance in next weeks Brave and the Bold, the first of a sort of two part history of Crazy Quilt, criminal, artist and general nutcase!
CQ first appeared as a foe of the Boy Commandos in 1946. Now for the history part... The Boy Commando's were created by Joe Simon and Jack Kirby after they moved to National Periodicals, and were one of the many "Street gang kid hero" teams that Kirby worked on (Others would include the "Sentinels of Liberty" and the "Newsboy Legion").
But that wasn't the end of them, but I'll deal with that later... Now on with the story, from Boy Commando's 15.
The man who would become Crazy Quilt was once apparently a painter known as Quilt (though other sources put his name as Paul Dekker) but with a particular flair. We see him touring post-War Europe, painting as he goes; castles, landscapes, and he had a certain notoriety amongst the art cognocenti, and another group too...
That's actually kind of nifty as a plan...
So with withering poetic justice, Quilt, the famous artist is rendered blind by his criminal rivalry. In desperation, Quilt seeks out all possible medical avenues, finally forcing a famed surgeon to operate on him with a radical, and risky, procedure! The operation is apparently a success, until the day the bandages come off...
So this established that Quilt isn't quite blind, he can stil see things which are brightly coloured, but everything else is an optical mess. Yup, I think I can see wht that might drive him mad... though that costume is something else! And still, he is a criminal at heart, and seeks to adapt his new condition to his work, which is sort of admirable, in a deranged sort of way.
His costume is worthy of special notice... it's certainly.... memorably colourful isn't it? :)
His crime spree spreads to post-War France!
If all you can see is bright colours, make anything you wish to target a bright colour! Affirmative action or what? Though "Beautiful Money! Nice Colors!" lacks a certain something as a battlecry
Of course, the Boy Commando's happen to be passing...
Bucky have a machine gun seems odd in retrospect, but was at least on a battlefield. Brooklyn, with a piece whilst casually walking through Paris? Just plain wrong!
Quilt and his gang escape, but empty handed
Again, nice thinking there...
Given the sheer insane size of the Louvre... good luck with that Rip! But I digress...
That night, crazy Quilt does indeed break into the Louvre, and for a painter like him there can be only one target... The Mona Lisa, alas one the the security guards gets in his way...
This being one of those stories. every single historical landmark they can work into the script shows up, it's like the episode of American cop shows when they come to the UK, and manage to stuff a weeks sightseeing into one four minute taxi ride...
And again, a nifty and logical approach in it's way.
And Brooklyn shows the value of the American education system here...
So the villain actually gets away!
He shows up only once more as their opponent, in Boy Commando's 28 in 1948. It's a very short appearance, but it does introduce what would become his trademark weapon, his colour-beam helmet. Again, this makes sense, he can only see things that are brightly coloured, so the helmet makes EVERYTHING brightly coloured...
It part of a story about Brooklyn's superstitious nature, where he basically breaks mirrors, walks under ladders and the like, and then karma comes back to slap him in the face.
As it turns out the entire story is a nightmare that runs through Brooklyn's head as he fell asleep in the dentists chair, waiting for the dentist to come in. So the second appearance of Crazy Quilt, and the introduction of the helmet, is entirely fictional, even within the confines of the DC.
Oh and the Boy Commando's? Well, it was revealed in the 1990's that it was Brooklyn who grew up to become a cop who was already well known to readers, under his real name... Dan Turpin, (who was also created by Kirby, though in the 1970's) who had a long and distinguished career in the Metropolis Special Crimes Unit, before meeting a rather vague, and possibly not permanent end in Final Crisis as Darkseids host body when Batman shoots him.