Keep in mind, Bradbury often adopted a subjective-third-person voice, tainted with the viewpoint of the protagonist.
Then again, the other Bradbury story in SHOCK was "Small Assassin," in which an evil baby murders his mom. There's a lot of post-war gynophobia, and fear of domesticity, in his work, certainly. But then, those were the anxieties of those who'd buy what his work was in, after all.