Pricetag a.k.a. Mom a.k.a. Margaret (mprice) wrote in schlosseberbach, @ 2007-04-29 01:14:00 |
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By: Anneko a.k.a. danakszoul
Posted: April 29, 2007
Notes: Well, like I said, way too much to fit into a single playlist, so here's part two of the playlist breakdown, the Dorian/Klaus relationship list.
PLAYLIST II- Dorian/Klaus
Does Anybody Love You?- Boy Meets Boy ('Tell me please, does anybody love you? Do you have a special love affair? Someone who worries about you, Who's always true, and tender too, And waits for you somewhere. So please say Does anybody love you? For if by some lucky chance the answer is 'no', And you haven't anyone to love you, Then do you mind if I do, Because I love you so'-- this is the first song on the relationship playlist because the reprise is the last and I like to bookend things. Otherwise, I try to keep the songs in order. Anyway, I already sang the praises of this musical. This song makes my heart soar just a little at the end)
What Is This Feeling?- Wicked (Because it's so *them*, before Dorian even begins to love Klaus. And Elpheba's summation of Galinda (that deadpanned 'Blonde') is so dead-on. The first time I heard this song, I was prepared for girl!love, and then the 'loathing' kicked in. 'What is this feeling, so sudden and new? I felt the moment I laid eyes on you. My pulse is rushing, my head is reeling, my face is flushing, what is this feeling? Fervid as a flame, Does it have a name? Ye-es, Loathing! Unadulterated loathing. For your face, your voice, your clothing'. 'There's a strange exhileration, In such total detestation'.)
What's Opera, Doc?- Looney Tunes (Yes. The Bugs Bunny and Elmer Fudd doing Wagner. But cast Dorian in the Bugs Bunny role and Klaus in the Elmer Fudd role, and you have your basic Eroica plot-- Klaus is chasing Dorian, Dorian teases and does his darnedest to seduce his hunter (although Dorian is *less* likely than Bugs to dress in drag, and Klaus is less likely than Elmer to fall for the seduction attempt. Which is kind of disturbing...). Of course, instead of a spear and magic helmet, Klaus has his Magnum. Okay, and yes, I *am* a little twisted.)
I'll Be Seeing You- Mandy Patinkin (Because intentional or not, like it or not, they keep running into each other. Sometimes as allies, sometimes at cross purposes. And even when they're not together, Klaus stays on Dorian's mind. All the places they've run across each other hold a new meaning. And it's a great song if you like old-fashioned romantic, which Dorian does, even if Klaus doesn't. Again, I have Mandy Patinkin's version because I <3 Mandy Patinkin.)
Unbelievable- EMF ('You say to me I don't talk enough, But when I do, I'm a fool. These times I've spent, I've realized I should shoot through And leave you' 'The things you say, Your purple prose just gives you 'way, The things you say, You're unbelievable!'. It just doesn't come across as complimentary in this song, and it seems a little Klaus-to-Dorian to me.)
Anything Goes- Patti LuPone (This is definitely more a Dorian-to-Klaus song-- 'If driving fast cars you like, If low bars you like, If old hymns you like, If bare limbs you like, If Mae West you like Or me undressed you like, Why nobody will oppose.' 'If saying your prayers you like, If green pears you like, If old chairs you like, If back stairs you like, If love affairs you like, With young bears you like, Why nobody will oppose, And though I'm not a great romancer, I know that I'm bound to answer when you propose, Anything goes!')
One Week- Barenaked Ladies (The cycle of fighting-- and of Klaus needing little or no provocation to shout at Dorian, and of Dorian enjoying tweaking Klaus. This is two headstrong men, and though with Klaus Dorian might tend towards peacemaking, there will also be plenty of times when neither one of them will be ready to apologize upon realizing an error's been made.)
I've Got You Under My Skin- Frank Sinatra and Bono (off the Duets album-- I really like this version. This is definitely Dorian thinking about Klaus, and warring with himself over it-- 'I have tried so Not to give in. I have said to myself 'This affair, Never gonna go so well', But why should I try to resist when Baby I know so well, That I've got you under my skin' 'I would sacrifice anything Come what might For the sake of holding you near, In spite of the warning voice that comes in the night and repeats and it shouts in my ear 'Don't you know, Blue Eyes, you never can win, Use your mentality, wake up to reality', But each time that I do just the thought of you makes me stop before I begin, 'cause I've got you Under my skin'-- this particular version has a couple little differences that make it for me, slightly different wording in a couple places, and a little bit of moaniness in Bono's vocalization. 'I've got you under my skin, And I love you Under my skin')
Isn't It A Pity- Michael Feinstein ('Why did I wander Here and there and yonder Wasting precious time? With no reason or rhyme? My journey's ended, Everything is splendid, Meeting you today Has given me a Wonderful idea, Here I'll stay. It's a funny thing, I look at you, I get a thrill I never knew. Isn't it a pity We never met before?' This version is actually a duet, I just don't know who with. But both parts are mostly Dorian-to-Klaus anyway. After a lifetime of flitting around the globe... 'Imagine all the lonely years we've wasted, You with the neighbours, I at silly labours, What joy untasted! You reading Heine, I somewhere in China' '(him)'How did you survive Waiting 'til I'd arrive?' (her) 'All my Dresden boyfriends Were only half alive. A sleepy lad was Herman, Fritz was like a sermon, Nicholas was such a bore!' (him) 'How well I'd planned it,' (her)'I just couldn't stand it Anymore!'' And it's got some cute funny bits-- '(her)'Here we are at last, it's like a dream, The two of us A perfect team' (him) 'For you're more than pretty, and I've got charm galore!'' '(her)'Love your funny smile, your twinkling eye' (him)'That's very nice, For so do I'')
Take A Chance On Me- Mamma Mia! cast recording (I also love the original, but I happen to have the Mamma Mia! version instead. Although ABBA is definitely period and I can see Dorian liking them. Plus, this song is so very much a Dorian-to-Klaus overture-- 'If you change your mind, I'm the first in line. Honey I'm still free, Take a chance on me. If you need me, let me know, Gonna be around, If you've got no place to go, When you're feeling down' 'Gonna do my very best, and it ain't no lie, If you put me to the test, if you let me try' '(her)''Cause you know I've got So much that I want to do, When I dream I'm alone with you, It's magic! You want me to leave it there,' (him)'Afraid of a love affair,'(her) 'But I think you know That I want you so'' And I picked the Mamma Mia! version because for this playlist, I like the dialoguey bits-- '(her, sung)'Take a chance on me!' (him, spoken)'Oh come on, give me a break, will ya!'' '(her)'You can take your time, Baby, I'm in no hurry, Know I'm gonna get ya. You don't wanna hurt me' (him) 'Baby, don't worry' (her)'I ain't gonna let ya. Let me tell you now, Our love is strong enough To last when things get rough, It's magic! You say that I waste my time, But I can't get you off my mind, And I think you know That I want you so')
Let's- Boy Meets Boy (Again, it's Dorian-to-Klaus-- 'Let's not be rational, Let's be rash!' 'Let's not say 'let's not', let's, Sweetheart of mine' 'Let's not get sensible, let's get sent Where Browning and Elizabeth Barret went'. It's cute, a little bouncy, and just a fun invitation.)
They All Laughed- Michael Feinstein (more Gerswhin by Feinstein. Everyone thinks Dorian's suit with the Major is hopeless. 'They laughed at me Wanting you, Said I was reaching for the moon. But oh, You came through, Now they'll have to change their tune! They all said we never could be happy, They laughed at us and how! But ha ha ha, who's got the last laugh now?' 'They laughed at me Wanting you, Said it would be 'hello' 'goodbye', But oh, You came through, Now they're eating humble pie! They all said we'd never get together, Darling let's take a bow, For ha ha ha, who's got the last laugh? Hee hee hee, Let's at the past laugh, Ha ha ha, Who's got the last laugh now?')
I'll Tumble For Ya- Culture Club ('I'll be your baby, I'll be your score, I'll run the gun for you and so much more'. I don't know, it's fun, and it is, in its own way, a declaration of love. Plus, in case you want the jealousy angle, 'Did he say 'maybe', or 'I'm not sure'? He'll be a boy for you, But you need more!')
Gumboots- Paul Simon (Almost entirely for the chorus 'You don't feel you could love me, But I feel you could'. Although I do like the whole song, that's the one line that makes it really fit.)
A Kiss Is A Terrible Thing To Waste- MeatLoaf (THE D/K song. Almost every line of this song is perfect, so I'll just give you the best ones. Dorian-to-Klaus. Also, the music is gorgeous, lushly orchestrated. 'Come on closer to me now Like we're sharing the same skin.' 'You'll have to pay for it later, If you don't get it while it's going for free, Believe me, Believe me, A kiss is a terrible thing to waste, A kiss is a terrible thing to waste. It's something that's always been so. A kiss is a terrible thing to waste, A kiss is a terrible thing to waste, And one of these nights you're going to show me that you already know. There's a feast waiting for you and you've never even gotten a taste. It's later than you think, And a kiss is a terrible thing to waste' 'You shouldn't tremble when we touch, There's no reason for these fears' 'I wanna show you it all, What to do and where and how, 'Cause we'll never be as young as we are right now, We'll never be as young as we are right now')
My Heart Is Sair- Clan na Gael (I think!) ('My heart is sore, I dare not tell, my heart is sore for somebody' 'Oh, for somebody, All day for somebody, I would do what I do not All for the sake of somebody' 'Why need I comb my tresses bright... Since gone is my dear somebody' Just angsty Celtic yearning. 'I cannot sing and must not say How sore I grieve for somebody'. Klaus is being Klaus and Dorian is pining.)
A Foggy Day In London Town- Michael Buble (Happens to be the version I have right now. 'A foggy day in London town, had me low, had me down. I viewed the morning with such alarm, The British Museum had lost its charm. How long I wondered Could this thing last? But the age of miracles hadn't passed, For suddenly, I saw you there, And through foggy London town, The sun was shining everywhere'. Sometimes, Dorian just gets... *listless* when his beloved Major isn't around.)
He's A Dolly- Boy Meets Boy ('What have they got in France? Statues. They're very hot in France on statues. Monuments to the great, They've got such a lot in France, There are times I wish I was not in France. But when I see Reality, It's such a delightful wrench. I start to think in French. I mean, commencee a pensee en francais!' Then, a list of all the famous artists, historical figures, and writers 'he' isn't-- 'he' is 'Someone to parlez-vous at un table for two, 'neath a big pink and blue parasol'-- like 'A Foggy Day in London Town', Dorian may be somewhere, finding himself missing Klaus, and even the art loses its sheen when you're lovesick. 'And it's not Joan of Arc, Just a statue in a park, It's a dolly, He's a real live beautiful doll'. Sometimes-- just sometimes-- the real thing is better.)
Elephant Love Medley- Moulin Rouge (Although of course Klaus would have to kill me for casting him as a courtesan here... but he's already been Bess the Landlord's Daughter... and he's got to have the 'You crazy fool, I won't give into you' while Dorian inundates him with love song after love song. And it gets to this soaring, ultra-dramatic place, and I like my music way over the top. Dorian probably does, too, I should think...)
I Bet That You Look Good On The Dance Floor- Arctic Monkeys (It's a come-on in song form, which suits this pairing/playlist well. 'Your shoulders are frozen (colder than ice), Oh but you're an explosion (you're dynamite!)' sounds a bit like Klaus, too. 'I wish that you'd stop ignoring me, 'Cause it's sending me to despair'? Again, definitely Dorian to/about Klaus...)
Take Another- Janis Joplin (Wow, most of these are Dorian to/about Klaus... 'Each time I tell myself that I, When I think I've had enough' 'I want you to come on, come on, come on, come on, and take it! Take another little piece of my heart now, Baby, Break it, break another little bit of my heart')
Mamma Mia!- Mamma Mia! (This time, I would rather have the original ABBA, actually. Like 'Take Another', Dorian is fed up with being mistreated, but can't give up on Klaus. 'I was cheated by you, And I think you know when. So I made up my mind it must come to an end. Look at me now, Will I ever learn? I don't know how, But I suddenly lose control, There's a fire within my soul. Just one look and I can hear a bell ring, One more look and I forget everything. Woah-woah, Mamma Mia! Here I go again, My my, How could I resist you? Mamma Mia! Does it show again? My my, just how much I missed you. Yes, I've been broken-hearted, Blue since the day we parted! Why why Did I ever let you go?' 'I can't count all the times I have cried over you')
I'd Rather Be Blue Over You- Funny Girl ('I'd rather be blue Thinking of you Than be happy with somebody else'-- Dorian. Miserable, but hanging on. Plus, I can picture him dressing in drag and showing up in a nightclub where Klaus has to meet a contact, and taking over the stage to sing torch songs...)
The Winner Takes It All- Mamma Mia! (Either version works for me here, I just happen to have the Mamma Mia! one. Again, it's torchy, and it's period.)
Let's Call the Whole Thing Off!- Michael Feinstein (More Gershwin. I wish I had the version of this song that's a duet between Roger Rees and I forget the woman, but in that version one of the lines is slightly altered to 'If you wear 'pajamas' and I wear 'pyjamas', you'll wear 'pajamas' and WE WON'T WEAR ANYTHING!' instead of 'I'll wear 'pajamas' and give up 'pyjamas''. Anyway, 'But oh, if we call the whole thing off then we must part, And oh, if we had to part then that might break my heart'. Ill-suited? Maybe. But somehow perfect for each other in spite of it.)
Knowing Me, Knowing You- Mamma Mia! (Wow, lots of ABBA songs on this list... this is sort of the break-up. 'This is how the story ends, This is goodbye. Knowing me, Knowing you, There is nothing we can do. Knowing me, Knowing you, We just have to face it This time we're through. Breaking up is never easy, I know, But I have to go. Knowing me, Knowing you, It's the best I can do', of course, we know it can't really be the end... they're just volatile, those boys...)
I Will Survive- Cake (I know the Gloria Gaynor is period appropriate, but I have the Cake version. And the Cake version is sexier... it's got *slink* to it. Anyway, this is the post-breakup, pre-makeup Dorian promising not to go back to Klaus. I like to think Klaus has to work to get him back if they break up after becoming lovers-- once he gives in, he's got to start taking responsibility in a way he didn't during the chase...)
What Do I Care?- Boy Meets Boy (A post break-up song, Dorian fed up with crying over Klaus and vowing to go on the rebound, even if he doesn't mean it. 'Let people talk, Let people glare. Snigger and gawk, What do I care? I'm sick and tired pretending anything makes any sense in my world, Let them all share In my despair! Don't tell me hope isn't dead, I know it is. So you can go and tell the highest bidder I'm his! And let newspapers call, take photographs, From now it's all strictly for laughs! How can the end of the world depend on the end of a love affair? Mine doesn't quite end there, I want that life of gay abandon, of excursions and alarms, Each evening in a brand new fella's arms, 'Cause I'm beautiful, I'm beautiful, I'm beautiful, And what comes next comes natural!' 'I fell apart, But a broken heart isn't something beyond repair, So world beware, I'm what I am, What do I care? Don't care a damn!'
13 Days- Marion Raven (Angsty and dark making up/getting together, for those who like an angsty and dark Klaus/Dorian. 'Thirteen days since You came by, Brought the dark clouds In my life. You've been keeping me inside, I am sleeping, Raven's flight. Wake me up Before I change my mind. Take my hand before I'm out of time. I know what you offer me, It's all over your face, You become my enemy. In thirteen days, thirteen days' 'TIme is taking way too long, You're still here, I'm all alone. Thirteen days since you came by, I'm your prisoner in the night' 'Here in your arms, I'm lost at sea, My nightmare is your dream')
Rest In Peace- Once More With Feeling (This one's more for Klaus-- weird that I'm giving him so many vampire songs... He doesn't want to love Dorian, the fact that he does drives him crazy, but he can't stop it. 'Let me rest in peace, Let me get some sleep. Let me take my love and bury it in a hole six foot deep.' 'I know I should go' 'There's a traitor here beneath my breast And it hurts me more than you've ever guessed' 'Why won't you let me rest in peace?')
I Don't Know What It Is (But It Just Won't Quit)- MeatLoaf (Rest In Peace is a good lead-in for this-- again, more for Klaus-- 'And I never really sleep anymore, And I always get these dangerous dreams, And I never get a minute of peace, And I gotta wonder what it means' 'Maybe it's nothing and I'm under the weather. Maybe it's just one of those bugs going 'round. Maybe I'm under a spell and it's magic. Maybe there's a witch doctor with an office in town' 'Is this a blessing Or is it a curse? Does it get any better, Can it get any worse? Will it go on forever, Is it over tonight? Does it come with the darkness, Does it bring out the light?' 'And there used to be such an easy way of living, and there used to be every hope in the world. And I used to get everything that I went after, But there never used to be this girl' (er, except for the girl part) 'Maybe I'm crazy and I'm losing my senses, Maybe I'm possessed by a spirit or such. Maybe I'm desperate, And I've got no defenses. Can you get me a prescription for that one perfect touch?' 'It's a stairway to Heaven, Or a subway going down to the Pits. (ooh, is it some kind of love?) I don't know what it is, but it just won't quit' 'There was a time when nothing ever really mattered, There was a time when there was nothing I didn't know, There was a time when I knew just what I was living for, There was a time and that time was so long ago. And I never really sleep, Anymore...')
Amnesty Is Granted- MeatLoaf (Hooray! Klaus has come around, and there is to be no more breaking up, at least in playlist!timeline. The title pretty much says it-- amnesty is granted. There may be fights, but love is just going to have to overcome. 'Who said that love could last forever? I'm growing tired of feeling like I do' 'You said that love would last forever, But neither one of us will ever surrender' 'There's a time, there's a place, A change of heart, About face. This is about love, It's about forgiveness. Tell me now, Tell me like it is. You don't have to give, Amnesty is granted')
Totale Finsternis- Tanz der Vampire (Possibly my favourite song of the show. It's basically 'Total Eclipse of the Heart', but it's in German, and... well, and it's a duet between vampire and virgin. I don't have 'Total Eclipse of the Heart', or that would be on here, too, because it's a good song for them.)
Let's Do It (Let's Fall In Love)- Tank Girl (it's a punk-pop version of the Cole Porter song, which is ever-so-slightly risque. I need to get the Alanis Morisette version on here, because for Klaus and Dorian I don't really need/want it to be punk-pop.)
Don't Go Breaking My Heart- Elton John and Kiki Dee (er... well, again, period-appropriate. I can see Dorian listening to it-- and singing along-- but I don't see Klaus liking it very much...)
Seaside Rendezvous- Queen (this song is so *fun* and very English music hall! It's also so Dorian-flirting-with-Klaus. 'Seaside, Whenever you stroll along with me, Barely contemplating what you feel inside. Meanwhile, I ask you to be my clementine. You say you will if you could but you can't. I love you madly, Let my imagination run away with me gladly' 'So romantic, can we do it again? Can we do it again sometime? (ooh, I'd like that)' 'I feel like dancing In the rain, Can I have a volunteer? Just keep right on dancing, What a damn jolly good idea!' 'Underneath the moonlight, We'll sail across the sea' 'Meantime, I ask you to be my valentine, You say you'd have to ask your daddy if you can, I'll be your Valentino, Ride upon an omnibus and then the casino' 'Seaside rendezvous- Give us a kiss!')
Love Don't Need A Reason- Boy From Oz (It's very melancholy, but it's such a slash song. Of course, it is used as a gay love song in Boy From Oz, even though it wasn't used as such originally. 'If my heart always did What a normal heart should do, If I always play a part Instead of being who I really am, Then I might just miss the one who's standing there, So instead of passing by, Show that someone that I care, Instead of asking why, Why me and why you, Why not we two? 'Cause love don't need a reason, Love don't always rhyme. Love is all we have for now, What we don't have is time' 'I'll hold you close, time won't tear us apart' 'Love don't need a reason, Love is never a crime. And love is all we have, for now...')
They Don't Know- Tracey Ullman (Dorian defending his choice-- A)it's a way fun song, B)his people tend to complain about his love for Klaus... and I'm sure he's got plenty of suitors who don't understand the attraction, either. 'I get a feeling when I look at you, Wherever you go now, I wanna be there, too! They say we're crazy but I just don't care, And if they keep on talking, Still they get nowhere,' 'Why should it matter to us if they don't approve? We should just take our chances while we've got nothing to lose' 'Baby! There's no need for living in the past, Now I've found good loving, Gonna mke it last. I tell the others 'don't bother me', 'Cause when they look at you, They don't see what I see. No I don't listen to their wasted lines, Got my eyes wide open and I see the signs')
My Man- Funny Girl (This should be up with the torch songs... hm.)
I Would Do Anything For Love (But I Won't Do That)- MeatLoaf (Mmmm, over the top love ballad! 'I would do anything for love, I'd run right into hell and back' 'But I'll never forgive myself if we don't go all the way, Tonight. And I would do anything for love, I would do anything for love, I would do anything for love, But I won't do that'. Also, the end duet has the girl demanding to know if the boy will do such-and-such a thing for her, and he sings he'll do anything for love, then she reveals her fear that he'll get tired of her and go, and he says he won't do that. Sorry, Klaus, I just made you the girl again!)
Bad For Good- Jim Steinman (There's a MeatLoaf version on Bat III, but I have the old Jim version off the album of the same name. This is definitely Dorian-to-Klaus. 'You can hide away forever from the storm, But you'll never hide away from me!' 'But the northern lights are burning and they're giving off sparks, I wanna wrap myself around you like a winter skin. You know I'm onto your scent, We're near the end of the chase, Take a look out your window, I'll be there in the night, Oh your love is so close that I can almost taste it!' 'If it's something I want, Then it's something I need. I wasn't built for comfort, I was built for speed! And I know that I'm gonna be like this forever, I'm never gonna be what I should. And you think that I'll be bad for just a little while, But I know that I'll be bad for good' 'Take a chance on a promise and a roll of the dice, Put your foot on the gas, Let it go let it go let it go' 'For the good of believing in a life after birth, For the good of your body so bright, For the good of the search for some Heaven on Earth, For the good of one hell of a night' 'I know that you can be bad, at least a little while. But if you give me a chance, Give me one little chance, And give me all the love that you should, Then instead of being bad for just a little while, I'm gonna make you bad for good' 'I know that you'll be bad for good'. Oh, and PS, everything Jim Steinman touches is PURE AWESOME.)
We're On Top- The Killers ('And I don't need to satisfy, Tonight. So take your eyes off of my pride, Tonight.' 'It's a shimmy and a shake, oh-oh, I can't fake, We're on top.' 'Your body's shaking, And it's clear, You really need it, So let go, And let me feed it' 'Like a cigarette in the mouth, Or a handshake in the doorway, I look at you and smile because I'm fine'.)
What I Did For Love- Me First and the Gimme Gimmes (Punked out version of the Chorus Line song. Which refers to doing a job wholeheartedly because it's your calling, knowing that one injury could take it away from you. Both Klaus and Dorian lead this life, and their jobs are even more dangerous than dancing.)
I Honestly Love You- Boy From Oz (Because it's way slashier than the Olivia Newton-John version. 'Maybe I hang around here A little more than I should. We both know I've got somewhere else to go' 'I'm not trying to make you feel uncomfortable, I'm not trying to make you anything at all.' 'If we'd both been born In another place and time, This moment might be ending with a kiss, But there you are with yours, And here I am with mine, So I guess that we'll be leaving it at this'-- it's another angst version of the Klaus/Dorian story, for those who prefer the Klaus-loves-Dorian-but-will-never-let-an
I'll Kill You If You Don't Come Back- MeatLoaf ('In every way, I want you out of my life, But I'll kill you if you don't come back'-- Klaus to Dorian. It's a love-hate thing. And, if you'll ignore the whole gender issue, 'God bless all these girls that I never have met, But damn me and curse me After all that you've done, You're the one girl I'll never forget')
All I Wanna Do Is You- Marion Raven (The title honestly does say everything about this song. Dorian-to-Klaus.)
Something So Right- Paul Simon ('I've got a wall around me that you can't even see, It took a little time To get next to me' 'Some people never say the words I love you, It's not their style, To be so bold. Some people never say those words I love you, But like a child they're longing to be told'-- Klaus to Dorian)
Hot Summer Night/You Took The Words Right Out Of My Mouth- MeatLoaf (I have to give you guys the whole 'Hot Summer Night' dialogue as Klaus and Dorian-- it's Klaus at his most playful.
KLAUS: On a hot summer night, would you offer your throat to the wolf with the red roses?
DORIAN: Will he offer me his mouth?
KLAUS: Yes.
DORIAN: Will he offer me his teeth?
KLAUS: Yes.
DORIAN: Will he offer me his jaws?
KLAUS: Yes.
DORIAN: Will he offer me his hunger?
KLAUS: Yes.
DORIAN: Again, will he offer me his hunger?
KLAUS: (annoyed) Yes.
DORIAN: And will he *starve* without me?
KLAUS: (really annoyed) *Yes*.
DORIAN: And does he love me?
KLAUS: (softly) Yes.
DORIAN: Yes.
KLAUS: On a hot summer night, would you offer your throat to the wolf with the red roses?
DORIAN: Yes.
KLAUS: I bet you say that... to *all the boys*)
Does Anybody Love You? Reprise- Boy Meets Boy (After boy meets boy and boy loses boy, boy gets boy in the end-- they reprise 'Does Anybody Love You?' and promise to live happily ever after. Aww!)
---/-/---
One last *little* playlist coming up tomorrow night.
=^_^=
Anneko