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- APPROPRIATE ENGLISH
- THE COMMA
- GRAMMATICAL ERRORS OF STANDARD AUTHORS
- QUALIFICATION, APPROPRIATE SUBJECTS AND DIRECTIONS
- SMALL WORDS, THEIR IMPORTANCE, THE ANGLO AND SAXON ELEMENT
- PRINCIPAL POINTS ILLUSTRATIONS CAPITAL LETTERS.
- Introduction
- Essentials of English Language
- The Relative Pronouns are who, which, that and what
- THE VERB
- Some, Any
- Countable Nouns
- TENSE
- Verb Tense Consistency
- Pronoun Case
- Verbs with Helpers
- General Guidelines for Use of Perfect Tenses
- Controlling Shifts in a Paragraph or Essay
- Controlling Shifts in Verb Tense
- Choosing Passive Voice
- Irregular Verbs: Overview and List
- Choosing Active Voice
- VOICE AND MOOD
- COMPARING GERUNDS, PARTICIPLES AND INFINITIVES
- Using Other Tenses in Conjunction with Simple Tenses
- VERBALS: GERUNDS, PARTICIPLES, AND INFINITIVES Gerunds
- ADJECTIVE
- Usage of Adjectives
- POINTS TO REMEMBER
- THE DIFFERENCE BETWEEN ADJECTIVES AND ADVERBS
- CONJUGATION
- PREPOSITION
- Prepositions of Direction
- CONJUNCTION
- Comparative forms of Adverbs
- ADVERB
- COMPARISON OF ADJECTIVES
- Using Pronouns Clearly
- INTERJECTION
- Subordinating Conjunctions
- PRONOUN
- Indefinite Articles: a and an
- Quantity Adjectives with Countable and Uncountable Nouns
- Using Articles with Countable and Uncountable Nouns
- Nouns and Articles
- Uses of Count and Noncount Nouns
- NOUN
- OMISSION OF ARTICLES
- Count and Noncount Nouns
- Definite Article: the
- Using Articles
- DIVISIONS OF GRAMMAR
- DIVISIONS OF GRAMMAR, DEFINITIONS, ETYMOLOGY
- The Sentence
- SENTENCE CLASSIFICATION
- THE PARAGRAPH
- ARRANGEMENT OF WORDS IN A SENTENCE
- DIFFERENT KINDS ARRANGEMENT OF WORDS PARAGRAPH
- Figurative Language
- Climax Epigram Interrogation
- An Antithesis
- Metonymy
- Hyperbole
- Synecdoche
- The principal figures
- An Allegory
- A Metaphor
- FIGURES OF SPEECH DEFINITIONS AND EXAMPLES USE OF FIGURES
- Punctuation
- SPELLING: -IBLE VS
- SENTENCE PUNCTUATION PATTERNS
- SPELLING: IE /El
- ONE WORD OR TWO
- NUMBERS
- SPELLING: COMMON WORDS THAT SOUND ALIKE
- Indirect Quotations
- SPELLING: ACCEPT/EXCEPT AND AFFECT/EFFECT
- Writing Dialogue
- A LITTLE HELP WITH CAPITALS
- CAPITAL LETTERS
- BRIEF OVERVIEW OF PUNCTUATION
- Forming Plurals of Lowercase Letters
- Forming Possessives of Nouns
- THE APOSTROPHE
- Extended Rules for Using Quotation Marks
- Quoting Poetry
- Quotation Marks with Fiction, Poetry, and Titles
- Additional Punctuation Rules when Using Quotation Marks
- Altering the Source Material in a Quotation
- BRACKETS AND PARENTHESES
- Direct Quotations
- Using Quotation Marks
- THE MARK OF INTERROGATION
- MARKS OF PARENTHESES
- THE QUOTATION MARKS
- DASHES
- HYPHENS AND DASHES
- COMMAS VS
- THE EXCLAMATION MARK
- THE COLON
- THE 'PERIOD', 'FULL STOP' OR 'POINT'
- Series Commas
- Use a COLON
- THE COMMA
- Introductory Commas
- THE SEMICOLON
- Disruptive Commas General Guidelines
- When Not to Use a Comma
- Commas After Introductions Introductory Clauses
- Proofreading for Commas
- When to Use a Comma
- Comma Abuse
- Extended Rules for Using Commas Comma Use
- PRINCIPAL POINTS ILLUSTRATIONS CAPITAL LETTERS
- Letter Writing
- FORMAL INVITATIONS
- NOTES OF INTRODUCTION
- PRINCIPLES OF LETTER WRITING FORMS NOTES
- NOTES
- SUBSCRIPTION
- ADDRESS
- Errors
- GRAMMATICAL ERRORS OF STANDARD AUTHORS
- MISTAKES SLIPS OF AUTHORS EXAMPLES AND CORRECTIONS ERRORS OF REDUNDANCY
- Pitfalls to Avoid
- THE PRONOUNS
- SUMMON—SUMMONS UNDENIABLE—UNEXCEPTIONABLE
- THAT FOR SO THESE—THOSE THIS MUCH—THUS MUCH etc
- PAST TENSE—PAST PARTICIPLE
- Don't say "I shall summons him," but "I shall summon him
- SAYS I—I SAID IN—INTO EAT—ATE
- PREPOSITIONS AND THE OBJECTIVE CASE
- EACH OTHER—ONE ANOTHER
- SEQUENCE OF PERSON
- SEQUENCE OF TENSES
- LAY-LIE
- NEITHER-NOR NONE RISE-RAISE
- EACH, EVERY, EITHER, NEITHER
- ALONE
- FURTHER—FARTHER
- LESS—FEWER
- BETWEEN—AMONG
- FIRST PERSONAL PRONOUN
- LOOSE PARTICIPLES
- DOUBLE NEGATIVE
- BROKEN CONSTRUCTION
- AND WITH THE RELATIVE
- ONLY
- OTHER AND ANOTHER
- THE SPLIT INFINITIVE
- ELLIPSIS
- ATTRACTION
- COMMON STUMBLING BLOCKS PECULIAR CONSTRUCTIONS MISUSED FORMS
- Style
- UNITY
- HARMONY
- KINDS OF STYLE
- STRENGTH
- SIMPLICITY
- CLEARNESS
- PURITY
- PROPRIETY
- DICTION
- DICTION, PURITY, PROPRIETY AND PRECISION
- Suggestions
- Slang
- newspapers and authors, detracting the Irish race
- ORIGIN, AMERICAN SLANG AND FOREIGN SLANG
- California especially has been most fecund in this class of figurative language
- Some slang expressions are of the nature of metaphors and are highly figurative
- Slang simply consists of words and phrases which pass current but are not refined
- Writing for Newspapers
- QUALIFICATION, APPROPRIATE SUBJECTS AND DIRECTIONS
- Learn, too, how to read Nature's book
- Shakespeare understood mankind because he was himself a man
- Be circumspect in your selection of a paper to which to submit your copy
- Choice of Words
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