belinda yaxley, unadulterated evil (hellsbels) wrote in cultureic, @ 2016-04-18 18:26:00 |
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The film opens up on cheery music, and the footsteps of two young teenagers running through the grass. Siblings. Twins. (This is obviously Belinda and Alfred with the makeup and charms department trying to age the two down.) They are wearing leather jackets, establishing them as "cool" and "dangerous". "1999" pops up at the bottom of the screen, setting our scene. ALECTO: Come on, Amycus! AMYCUS: I'm coming! Where are we going!? ALECTO: You'll see! The two keep running. We see them reach the top of a hill, with Young Alecto making her way there first. She shoots a grin back to an out-of-breath Young Amycus as he crowns the hill. The camera pans down to a yard with a pool and a light pink playhouse. AMYCUS: You brought me all the way out here just to take me to a girl's playhouse? ALECTO: It's what's inside there. You'll like this. Sisters know these things. Let's go. CUT TO: Young AMYCUS and ALECTO entering the playhouse. A wicked grin passes over ALECTO's face. ALECTO: Honey, we're home. A young MAN is tied up to a beam inside the playhouse. He screams upon seeing the girl's return, especially in seeing that she brought a friend. AMYCUS: Who's this? ALECTO: A present. It's our birthday. AMYCUS: We're not supposed to use magic outside of school, Alecto. ALECTO: Oh Amycus. Stop being such a muggle. I'm not going to tell. Our buddy here isn't gonna tell. And by time we're done here, he won't remember what happened to him. I've been practicing Obliviation. (We see Alecto draw a silver memory from the muggle's head. She swirls it around her wand for a moment, and then eats it off the end of her wand like a shrimp kebob.) AMYCUS: Well. If I'm gonna be a Cursebreaker, I guess I better learn how to do the curses first. (A malicious smile passes over his face as well. The camera pans to the frantically fearful MAN, the twin grins of AMYCUS and ALECTO reflected in his wide, terrified eyes as they close in on him. We hear his screams as the scene FADES TO BLACK.) TITLE CARD: The words Twins of Terror, Bodies of Lies: The Unauthorized Alecto and Amycus Carrow Story zoom into the frame from opposite sides, meeting in the middle. The letters then begin to drip blood. The hashtag #ToTBoLTUAaACS will remain in the bottom corner for the remainder of the film. A star wipe fades the scene back to black. ******** INT: DMLE OFFICES. We have flashed forward to 2015, which is shown at the bottom of the screen. There's a lot of office hubbub around the office -- A blonde hitwitch named LIESEL is seen questioning a tall, dark haired witch who is easily identified as BELLADONNA. Two DMLE members are flirting up against the water cooler -- we'll find out later that this is JORMA and KEVANDER -- until JORMA looks and realizes that KEVANDER is actually checking out his own reflection. An Auror leans over his desk, the camera swirling around behind him to catch a healthy glimpse of his well-toned ass, and he cautiously examines a muffin with a sneakoscope (this is ALABASTER BOOTY). -- We finally pan in on our DMLE Leaders, who meet in the center of the office: MARTY CRUNCH, ALABASTER GUNGHO, CHICO BURBERRY (played here by Nick Gonzo), WALDORF POSIER, RUFIO STATIONWAGONOUR and ALOUETTA (aka LETA) JOHANSSEN. MARTY: WE JUST GOT WORD THAT DEATH EATERS HAVE ATTACKED THE TRAIN STATION! CHICO: Not the Express! All those children are on their way to school. As a father, I am OUTRAGED. ALABASTER: (claps his hand on Chico's shoulder) We'll get them. We'll get all of them. WALDORF: I think you mean the Aurors will get them. If there are Death Eaters on the scene, that means that it's a case for the Auror Department. LETA: (looks at the camera like Ben Wyatt with a look that clearly reads "men, am I right?") I'm sure that all of us are more than aware of this, Waldorf. WALDORF: Alabaster is new. I thought he might benefit from the clarification. ALABASTER: I'll give you some clarification right up your- RUFIO: If the school's students are at risk, I'm sure we could use all hands on deck. The Critters and the Obliviators too. MARTY: I DON'T CARE WHO GOES. GET IT DONE. (He throws a bunch of papers into the air and storms off, slamming his office door.) LETA: I'll get the other departments on scene; if the Hits could contain the scene and make sure the children get to safety, the Aurors will finish off any further Death Eater activity. RUFIO: Brilliant. I'll dispatch our department. LETA, RUFIO, and WALDORF all go their separate ways. ALABASTER begins to storm off when CHICO grabs his arm CHICO: I hate that he thinks that he can talk to you like that. ALABASTER: Look at him over there with his… hair, and his face. (The camera pans to WALDORF, who is checking out his reflection in the same mirror that KEVANDER was earlier, establishing these two as a very good looking father and son duo. WALDORF grins at the mirror and one of his teeth blings like a Disney prince. So handsome.) CHICO: I'm a muggleborn. I understand how he can be, and that we have to work twice as hard to impress… people like him. But we will. You will. ALABASTER: (turns to look at Chico. There's something there. There's a trust, a comradery between the two that is clear on their faces. Chemistry.) We will. A moment of knowing silence, and then CHICO: (his cell phone rings.) It's my wife. I need to take this. The camera plays on ALABASTER's face while CHICO walks away, his expression an unreadable mask of emotion, before we follow the cell phone up to CHICO's ear. ******** The camera remains focused on the cell phone as we change scenes FEMALE VOICE: You need obliviators on the scene at the train station? I'm there. We pull away from the cell phone, which is now being held by a masked DEATH EATER. She hangs up and puts the phone in the pocket of her robes. FEMALE DEATH EATER: I HATE that we have to use this MUGGLE TRASH to do our jobs at the MINISTRY now. The Death Eater takes out their frustration on a STUDENT, who a spell is cast on to throw them back into a pile of suitcases. We see a bit of the battle now. JORMA flies in on a magic carpet and throws a hex at a Death Eater who is about to attack a grandmother. ALABASTER BOOTY takes on three werewolves at once and destroys them easily. One more tries to pop up behind him and he punches it over his shoulder with a backhanded fist without even looking or breaking a sweat. Critter PEPE ALVERAZ, dressed in an open leather vest with a matching fedora, uses a boomerang to knock down a row of vampires. We see two Aurors, the STOUTRUMPS, face each other and join both hands, wedding rings obvious on their fingers. The male, FRED, spins in circles, using his wife ARTEMIS's swinging legs to knock out the circle of HAGS that have tried to close in on them in a move straight out of Mighty Morphin Power Rangers. The FEMALE DEATH EATER shoots off a few more spells then runs around the corner of a brick wall. SHE removes her mask, lets her robes drop to the ground like she's trying to prove to Grandma that she's Anastasia, and shakes out her hair like she's in a Revlon commercial, revealing ALECTO CARROW, a dangerous beauty in leather pants and the most on-point eyeliner that anyone has ever seen. She shrinks down her Death Eating supplies and shoves them into her pocket, then calmly heads back around the corner as if she was only just arriving. ALECTO: So I hear there're some people here who need to be obliviated! ******** More scenes happen here that help establish Amycus, the plot, other characters, etc. There is a scene that takes place during the Halloween masquerade which involves a choreographed dance fight with the inferi in which most of the moves are obviously stolen from Thriller. ******** INT: THE OBLIVIATOR OFFICE. The obliviators are gathered around listening to a presentation delivered by SHIRAZ MCCONNELL. She's gorgeous, but is wearing overalls and glasses and has her hair in a ponytail, so we know she is also a GEEK. SHIRAZ: And that's how simple the transition to computers within the Ministry will be! There are various mumblings of agreeing and disagreeing amongst the Obliviators RAGU ALVEREZ: But we've been using the paper plane system in the Ministry for ages. TUPPENCE: And what about all the owls that this will leave without a job! MEGAN: I still think it would be proper to listen to what Shiraz has to say. CARAHEAL: (stands, and we see just how tall this dark haired, blue eyed man is) I think that would be a wonderful idea. (he moves to SHIRAZ's side and tangos her into him, dips her in a lusty dance move, and then kisses her gently.) You got this, babe. I love you. SHIRAZ: I know. (AUTHOR'S NOTE: This is a reference to STAR WARS. The audience will understand in this dialogue that these two both are influenced by Muggle culture, and that they are nerds in love.) A slow clap begins from just off camera. We follow the gaze of the others in the Obliviator office towards the clapping, where we see ALECTO sitting at her desk, feet kicked up onto the surface, looking highly unimpressed. ALECTO: Well well well, I guess it's true what they say about Mu*BLEEP*ds. Birds of a feather. BRADJAMIN BOOFE: ALECTO. That is uncalled for. RAGU: I will be the one to reprimand my employee, Mr Boofe. BRADJAMIN: How about you tell your niece that she's suspended, then. The other Obliviators gasp RAGU: … I'm sorry, Alecto, but you're sus- ALECTO: You can't suspend me! I SUSPEND MYSELF. (ALECTO is ENRAGED, kicking over chairs and stacks of files and papers off of her desk.) ZIGGY: Someone get the DMLE! ALECTO: Why don't you send them an o-mail? (She shoves the computer off her desk, which smashes to the floor with a thunderous crash.) OH WAIT, YOU CAN'T!! The hitwizards come running into the office Here we have CHICO BURBERRY (now played by Matt LeBlanc) , ALABASTER GUNGHO, and CRIKEY ALBERTO rush in. CRIKEY: Crikey! CHICO: What is going on in here?! (A metal file holder comes flying at CHICO'S face. It freezes in mid-air just centimeters from his nose due to the fast wandwork of ALABASTER.) ...Thanks, Al. ALABASTER: Don't mention it. We're partners. They stare, the tension between them palpable. ALECTO continues to throw things. The two remember what they are there for, and take the girl by the arms to lead her out of the room, but she breaks away to run over to where SHIRAZ is trying to protect the rest of her computer equipment. ALECTO: Why don't you just take your computers and your Wing! and fly back where you came from? SHIRAZ: I'm not going anywhere. None of us are going anywhere. ALECTO: We'll see. CHICO and ALABASTER catch up to ALECTO and begin leading her out. Just as they drag her out of the office door, we notice Obliviator TARTUFFE MCGILLACUTTY leaning in the corner, all silent swagger as he watches the madness. His shirt is unbuttoned four buttons down from the collar, a scandalous amount of unbuttoned buttons, and it seems to billow thanks to an unseen wind. He is smoking. ******** ALECTO: I'm going to lose my job, Amycus. AMYCUS: We aren't going to let them do that to you, you hear me? You've worked too hard for this. We'll destroy them. Every last one of them. ALECTO: I'm just… I'm so ANGRY. I could…I should… eat an entire flock of owls and leave the bones all piled up in stupid Shiraz's office. I hope she and her stupid Mu*BLEEP*d boyfriend drown in them. AMYCUS: You're giving me an idea. ******** WE ARE NOW AFTER THE WATERSHED. PARENTAL DISCRETION IS ADVISED ******** INT: THE WIZARDING FAMILY CO-OP. The fanciest of the fancy in office building designs. Aside from the front desk and a sofa, this is obviously all green screen. WizVis can't afford that shit. The CARROW TWINS wait on the sofa. They are soon approached by BELLADONNA, a tall and imposing witch with a temper as wild as she is beautiful. BELLADONNA: Of course the Wizarding Family Co-Op will support your claims of discrimination. It is disgusting, the way in which our values are being tarnished by this Mudblood technology. AMYCUS: They can't force people to use this bullshit. I'll kill all of them. BELLADONNA: I can't condone this. (All three look at the camera for a few seconds, then return to their conversation.) What we CAN do for you is stage a protest. A bonfire, sponsored by the WFC. Everyone will bring all their muggle and mudblood trash and destroy it, sending it back to hell where it came from. What could possibly go wrong? ******** EXT: THE WFC BONFIRE. CHAOS REIGNS. A dark haired witch named ELLAMINE punches every purist in her path. The hitwizards are on scene. An UNNAMED PURIST with a PURSE CRUP has beer spilled on her by a HOMELESS LOOKING MAN, and after taking the dog from her purse, she begins to hit the MAN with her bag. CHICO BURBERRY (now played by Matthew Morrison) drags an elderly redheaded woman away from the fray. CHICO: Ma'am, it's time to go. WOMAN: I'll never stop. I'll never let them get away with this. Music begins to play. This is more than just underscore, though. This is music that creates an energy, burning forth from a pair of BEATS BY DRE headphones that were discarded to the flames, as $200 bluetooth headphones mean nothing to the Gringott's vaults of the Sacred 28. BELLADONNA: ♫ It's our party we can do what we want It's our party we can say what we want It's our party we can love who we want We can kiss who we want We can sing what we want ♫ CHICO: ♫ Red cups and sweaty bodies everywhere ♫ RADAGASTAN: ♫ Wands in the air like we don't care ♫ HOMELESS LOOKING MAN: ♫ 'Cause we came to have so much fun now ♫ ELLAMINE: ♫ Bet somebody here might get some now ♫ (She punches another purist.) ALECTO: ♫ If you're not ready to go home Can I get a "Hell, no! "? ♫ CROWD: HELL NO! AMYCUS: ♫ 'Cause we're gonna go all night 'Til we see the sunlight, alright ♫ BELLADONNA: ♫ This is our house This is our rules! ♫ CHICO: (looks on in horror) ♫ And they can't stop. And they won't stop. They think they own the night This is gonna be one nasty fight…♫ ******** INT: SHIRAZ's OFFICE. AMYCUS and ALECTO sneak in, pushing a large box. ALECTO: The bonfire wasn't enough. They're still making us use those damn computers. AMYCUS: We're going to make Shiraz regret the day she ever heard of Wing! The lid of the large box is removed, revealing a crate full of live owls. ALECTO: Such a shame, too. Think of all the post we could deliver. AMYCUS: Don't be such a muggle. ALECTO: That doesn't even make sense. Muggles don't use owls. AMYCUS just smiles. They release the owls, which fly out of the box and scatter around the room. At this point, it becomes obviously clear that the live owls are now stuffed animals which are being thrown around the room to have curses shot at them. The room is a flurry of feathers and stuffing, curses and maniacal laughter, blood and pre-recorded hoots. ALECTO: I've never felt so alive. AMYCUS: And these owls have never felt more dead. They both cackle as they leave the room. The light changes, letting us know that it's the next morning as the door opens again. We see Shiraz walk in, all smiles. Her face changes abruptly as she observes the chaos of her office. SHIRAZ: Oh god. Oh man. Oh god oh man oh god oh man oh god oh man! The camera at first circles around her, then around the room, showing us the aftermath of the Carrows' night of destruction. ******** There are more scenes here in which the twins do Death Eatery things. The Wiztagram attack happens here! WALDORF leaves a book called "A Hitwizard's Guide to Becoming an Auror" on KEVANDER's desk. KEVANDER knocks it into his trash can and sets it on fire. At one point AMYCUS is getting ready for his date with TUPPENCE, which involves a makeover montage at Twilfitt & Tattings with ALECTO disapproving and approving of his different outfits. AMYCUS'S BIG DATE's scene is straight out of the end of Mrs Doubtfire, with him running back and forth between his date and death eating. ******** INT: ST. MUNGO'S PLANTS & POISONINGS WARD. The hospital is decorated in reds and greens and golds. A large baubled tree and the passage of carolers wearing fuzzy muffs singing "We Wish You a Merry Christmas" lets us know that it is CHRISTMAS TIME. A young HEALER passes by wearing lime green robes and a Santa hat, pushing a patient in a wheelchair. EX: ST MUNGO'S HOSPITAL. Here we have a different story. A thunderstorm looms in the background as a gathering of DEATH EATERS crowd the alley. ALECTO: (pushes her mask on top of her head to address the troops as herself. She's just Alecto here, keeping it real.) All right, team. This is where we make a difference. This is when we take things home. We are the night that is dark and full of terrors. They may tell us that we are wrong, that what we're doing isn't right, but we are preserving our way of life. We are fighting the good fight. We are the only thing standing between our world and the villains who would make a mockery of our beliefs. AMYCUS: (takes off his mask as well) You might be afraid. You might think you're not ready for this. But you are. We've been ready since before we were born. This is what we were born for. This is what we're willing to die for. A beat. Foreshadowing???? The twins exchange a glance, then pull their masks down over their faces, their movements synchronized. ALECTO: FOR THE DARK LORD! DEATH EATERS: FOR THE DARK LORD!! ******** INT: DMLE OFFICES. Alarms are going off, and officers are running madly around the office as they prepare to be dispatched. MARTY CRUNCH: I HAVE DEATH EATER SIGHTINGS AT ST MUNGOS, TINWORTH, HOGSMEADE, VIGILANTES IN THE STREETS… THEY'RE IN THE MINISTER'S OFFICE! THEY'RE FUCKING EVERYWHERE. GET THIS HANDLED. KEVANDER: Where do you need me? I'm ready to fight. WALDORF: You're ready to study. You'll never be an Auror if you don't apply yourself. KEVANDER: Dad, I like being a Hitwizard. I'm good at it. Why can't you see that? WALDORF: Because I know you really want to be an Auror. JORMA: OoooooooooKAY this is getting TOO HEAVY FOR ME. I'm outskees. Luv ya Kev. (He floats out of the father/son confrontation on his magic carpet.) KEVANDER: I want you to love me for me. Everyone else does. Why can't you?? WALDORF: But son, this is your dream! KEVANDER: No dad, it's your dream! (A beat. WALDORF is taken aback. It's clear that this is the first time he's truly heard KEVANDER.) Now if you'll excuse me, father. I have lives to save. (KEVANDER flounces out of the room. You can almost smell his cologne as he goes. WALDORF reaches out his arm after KEVANDER, only to draw it back into his chest in a distraught fist as the door slams.) WALDORF: Son… ******** INT: ST. MUNGO'S. The attack has already begun. Patients are screaming. Bedpans are flying. One Healer is running through the halls with a cooler. He is the victim of a Death Eater's tripping jinx and topples to the ground. The contents of the cooler, a new HEART, rolls out of the box and over the ground, where it is quickly eaten by a werewolf. The camera pans up to the man who was about to receive this new heart. He is distressed. ALECTO and AMYCUS are in their prime here, cackling and laughing as they murder without pause or regret. AMYCUS: Hey Ali! ALECTO: Hey Amy! AMYCUS: Knock Knock. ALECTO: Who's there? AMYCUS: I'm getting ahead! ALECTO: I'm getting ahead who? AMYCUS: (decapitates a patient and bowls his head down the hall) I'm getting A HEAD of the competition! ALECTO: We'll see about that! (She kills a civilian with the killing curse, then rides their body down the stairwell as she continues to fire off spells. As she hops gracefully off the body at the bottom of the stairs, her good time is interrupted by a shout of …) ALABASTER GUNGHO: STOP WHERE YOU ARE! ALECTO: Oooh. A new FRIEND to play with. (She fires a spell off at ALABASTER, who twitches like he's being electrocuted) ALABASTER G: Yyyyyouuuuu aarreeee aaaa baaadddd frrrrienddddd. Once he stops twitching, HE shoots a spell off at ALECTO, who does a back-bend straight out of the Matrix to avoid the curse. ALECTO vollies a spell back his way, which misses its target, but which sets a nearby POTTED PLANT on fire. AL oppugnos the plant at ALECTO's head. It misses, but ALECTO is ENRAGED, and flips a table. ALABASTER shoots a slicing spell ALECTO's way, which leaves a SEXY AND BADASS cut across her cheek . (We'll see this later when her mask is removed.) ALECTO: How DARE YOU. (She shrieks, and dives at ALABASTER like a crazed animal, knocking them both to the ground. They roll around angrily, kicking and punching each other in a way that is both super violent and cinematically beautiful. Just as it looks like the Death Eater has the upper hand, her body over ALABASTER's as she attempts to choke the life out of him, his own hands shift from trying to grab the wand from her hand and pull the mask away from her face, revealing ALECTO.) ALABASTER G: It's YOU. Of course it's fucking you. ALECTO: Of course it's fucking me. And now YOU will DIE. They claw at each other again, fighting like two rabid animals, all wands lost to the scuffle. The magic here is in how human they both are, fighting at the grips of survival. SUDDENLY, Alecto reaches inside her robes and pulls out a KNIFE, which gleams dangerously, all silver and blood, before she stabs it down into ALABASTER. ALECTO: We are the children of Merlin. We are superior, and you are nothing but a blood traitor. How does it FEEL -- (she stabs him again) -- to have that blood taken away from you? (she moves in closer) How does it feel to know that it is I, Alecto Carrow, who killed you? Poor little Alabaster. You're nothing but a statistic. Another coordinate in a game of connect the dots. (She runs the flat of her knife across his cheek) Nobody is coming to save you. CHICO: Like hell they're not. CHICO is now played by Chris Meloni. His scenes all are all clearly being filmed in another location, and clearly on a hand-held, lower quality camera. CHAINS shoot from CHICO's wand. The camera cuts back to ALECTO at our original location, where she gets caught up in them, before the focus returns to the Hitwzard. CHICO: Alecto Carrow, you are under arrest! (CHICO then drops to the floor, holding a mannequin version of a blood-covered ALABASTER( in his lap.) ALABASTER. Al! Hold on, little buddy. You're going to be fine, you hear me? You're going to be fine! ALABASTER: It's… it's so cold. Chico, I thought… I thought I'd never see you again… CHICO: I'm right here. I'm not going anywhere. We're partners, remember? ALABASTER: ….Partners… (He reaches his blood-covered hand up towards CHICO's face. When the camera pans to CHICO, we can see that this is a completely different blood-covered hand reaching up. It just misses grazing the side of CHICO's face before his arm drops and ALABASTER falls unconscious.) CHICO: No. No, don't you die on me, Gungho. This isn't how this ends! AMYCUS: Oh no, I think this ends right now. (He has a civilian held hostage, using them as a human shield as he stalks into the scene.) ALECTO: Amycus, you need to run! AMYCUS: I'm not leaving without you! ALABASTER BOOTY: Neither of you are going anywhere. (The camera starts with a shot on his bum, and then pans up to where we see the Auror standing in front of them both, wands blazing, one in each hand.) We either do this the easy way, or the fun way. AMYCUS: (with an evil giggle) oOOOoo, how about the fun way? I'm sure my pretty little hostage here would like to play, wouldn't you, luv? (The HOSTAGE frantically shakes their head no.) Aww, don't be shy, sweetie. We all know that no means yes, don't we? ALABASTER BOOTY: That is a disgusting line of thinking perpetuated by our culture of violence and the patriarchy and it ends here! AMYCUS: It ends when you let my sister go! ALABASTER BOOTY: It ends NOW. (With a swish of his wand, he floats the HOSTAGE to safety, and with another, sends a curse at AMYCUS. The Death Eater's laughter quickly fades to a look of confusion as he realizes that he's been hit, and that the hit was fatal. Amycus drops to his knees, then to the ground, the camera finally showing us that the blasting curse drove straight through him. On the other side of the hole, we see his sister screaming.) ALECTO: NOOOOO!! AMYCUS, NO!! MY BROTHER! MY TWIN! (She struggles in her bonds, shrieking and crying, knowing there's nothing she can do to help him. This doesn't stop her.) I'LL KILL YOU! I'LL KILL ALL OF YOU!!! AMYCUS!!!! CHICO: You have the right to remain silent. I suggest you use it. ******** INT: A HOLDING CELL AT THE MINISTRY. ALECTO watches it rain through the bars of the fake window of her cell. This mirrors her mood. RUFIO enters; ALECTO ignores him. RUFIO: Good afternoon, Alecto. (There is no response.) Why don't you have a seat? (There is no response.) We have some questions to ask you, Carrow. ALECTO: I don't care. RUFIO: It will be easier if you cooperate. ALECTO: Like it was easy for your Auror to kill my brother? RUFIO: And how many people did your brother kill, Alecto? How many have you killed? ALECTO: Don't you see?! This is so much more than that. All of this is so much bigger than you. Than me. Than all of us. RUFIO: (stands, moves to her side) Then help me to understand, Alecto. Help me help you. (No response) We were friends once. Talk to me. ALECTO: You wouldn't understand. RUFIO: I understand that I don't want this life for you. What happened, Ali? ALECTO: NO. YOU DON'T GET TO CALL ME THAT. YOU DON'T GET TO CALL ME THAT. ...Only Amycus got to call me that. (She collapses on the bench and sobs.) RUFIO: (sits down next to her) Alecto. ALECTO: Hold me, Rufio, like you did by the lake on Hogwarts; so long ago when there was nothing but our love. No politics, no plotting, no war. (She cups his chin in her hands and draws his face close. Their kiss is sweet, tender, showing a different side to ALECTO. The viewer notices, however, as one of her hands drifts behind Rufus's head to pull him into her lips, the other drops to his side to grab the quill he'd brought with him to take notes. A rudimentary weapon, to be sure, but just sharp enough to do the job. She brings the quill up to the side of his neck, is about to stab, when -- LETA JOHANSSEN: (fires a spell to knock the quill out of ALECTO's hand and freeze her arm in place.) You're welcome, Rufio. Do you really want to add another crime to your list of convictions, Carrow? ALECTO: You're welcome to join in. RUFIO: No. I think we're done here. (RUFIO starts to leave. He looks back at ALECTO just before he exits; ALECTO smiles deviously and gives him one of those creepy waves that are all fingers. RUFIO slams the door and leaves ALECTO in the dark.) ALECTO: ♫ And we can't stop. And we won't stop. Cuz you know it's we who own the night, the Dark Lord will make things right… ♫ ******** INT: THE WIZENGAMOT COURTROOM. Various court proceedings happen. We see clips of several different people on the stand/being sworn in/being interrogated/barristers delivering statements. Finally, ALECTO takes the stand. BEDELIA BARNES: State your name for the jury. ALECTO: Alecto Carrow. There is no dialogue over the trial scenes -- these were filmed before the verdict -- but there are plenty of wild emotions. Lots of screaming, pointing fingers, shaking fists, banging gavels, the court looking relieved that ALECTO is restrained in her chair. At one point the SUPREME MUGWUMP's lips can be read saying "YOU'RE OUT OF ORDER" and BEDELIA's immediately can be read as saying "THIS WHOLE COURT IS OUT OF ORDER." ALECTO points at someone in the stands and runs her finger across her throat; the person who was pointed to faints. FINALLY: SUPREME MUGWUMP: Have we come to a verdict? SPEAKER FOR THE JURY: We have, your honour. We hear the SPEAKER FOR THE JURY's voice, but our focus is on ALECTO. She seems calm, serene even, more at peace than we've ever seen her. SPEAKER FOR THE JURY: We, the Wizengamot, find the defendant… A spinning newspaper spins forth, announcing a GUILTY verdict. We then cut between scenes of ALECTO screaming as she is dragged from the court room, MARTY CRUNCH throwing some papers in celebration, BEDELIA crying in relief into RUFIO's shoulder, SHIRAZ and CARAHEAL hugging, WALDORF giving KEVANDER a stoic nod of approval. Between each video clip, we get some text over a black screen giving us facts about the trial: The date of the conviction, the charges Alecto was found guilty of, the length of the sentence. Finally, we end with a quote: "The only thing I ask, is going forward, please do not speak of me on the god forsaken muggle based technology." - Alecto Carrow, 2015 FADE TO BLACK THE END Twins of Terror, Bodies of Lies: The Unauthorized Alecto and Amycus Carrow Story is a work of fiction. Names, characters, places and incidents either are products of the author’s imagination or are used fictitiously. Although inspired by true events, the following story is fictional. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental. In loving memory of Nick Gonzo, Matthew LeBlanc, and Matthew Morrison. No owls were injured in the filming of this production. |