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bensanaz ([info]bensanaz) wrote in [info]scans_daily,
@ 2009-03-24 22:30:00

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Detective Comics #1
Well, this is my first post on Scans Daily since it moved over to IJ. In the move, some classic content was lost, and I'm reposting something I posted in the original Scans Daily, oh, years ago. I'm posting it at least in part for my own convenience, but I feel future generations deserve to know some comics history.



We all know the name Detective Comics. It was, it's said, one of the first "themed" comic books: all the stories in it followed the theme of (unsurprisingly) detectives. One detective from these stories is, of course, well known: The Bat-Man, weird ghostly figure of the darkness. Most of the others, however, have gone into ephemeral-media limbo. In many cases, this is well-deserved; there are only so many Sax Rohmer knockoffs and "wild west detectives" one man can take. However, one stands out and has a special place in my heart.

Slam Bradley.

That picture is the first glimpse readers ever had of Slam Bradley, and honestly it tells you everything you need to know: he's very large, very violent, not very well-drawn, and dislikes foreigners. And did I mention he's the brainchild of Superman creators Jerry Siegel and Joe Shuster? (Incidentally, if your curiousity takes you farther than this post can fulfill, this story is reprinted in The Greatest Golden Age Stories Ever Told. I have no idea why.)

Our hero's unexplained brawl with Chinamen is broken up by the police, who kick down the door, beat up a couple Orientals, and tell Slam he's wanted at the station. There we meet "Shorty" Morgan, as well as getting a glimpse of Slam's reputation and personality. At the station, Slam meets the wealthy Miss Carlisle and dazzles her with his sparkling personality. Outside, Shorty has developed a cunning plan to win Slam's heart approval. At his fingertips, indeed.

In the chief's office, Slam is informed that Miss Carlisle wants somebody to protect her beloved "poodle-dog", Mimi. He responds negatively. Almost psychotically, in fact. As he departs, however, he thinks of a way to kill two birds with one stone.

Shorty is not dismayed for long; at last he has a chance to impress Slam... particularly since, while he is guarding Mimi, he sees Miss Carlisle walk into a Chinese-run antique store. After a cursory investigation highlighting the racial enlightenment of the time, Shorty knows something is wrong and rings up the best Chink-buster he knows: Slam himself. Slam brings his unique investigative style to bear on the problem and soon unearths a lead. The snitch is slain with a sword (somehow; the details aren't clear) and Shorty tries to get closer to Slam. (By the way, despite what Slam says, we never see the sword again.)

There's some ridiculousness involving a chasm, falling rocks, and luminescent paint, which leads to Slam coming up with a pretty stupid idea for getting past the guards. Depressingly, it works.

Sneaking onwards, our heroes run across the story's first heterosexual moment. Slam is having none of that; he knows what to do with a whip, and women are not involved. There's a bit of brawling, and Shorty manages to get Fui Onyui and himself stuck in tar. For this achievement, a grateful, shirtless, and sweaty Slam Bradley declares himself Shorty's partner and offers to share everything. Shorty is understandably pleased.

Well, the vile Chinese have been beaten up, the employer has been rescued... all that's left is to ride off into the sunset. Miss Carlisle wants to see more of Slam, but he makes it clear: neither he nor Shorty has the slightest interest in "women trouble".

And that's it for the first thrilling adventure of Slam Bradley. I have some others that I may post in time.


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[info]psychop_rex
2009-03-25 02:44 am UTC (link)
Dammit, I was gonna post this one. Oh, well. Anyway, what I was going to post it for was to make a point about racism in Golden Age comics. While it's seemingly omnipresent, there is a sliding scale of the stuff, from 'offensive if you're in a mood to feel outraged, but not otherwise' to 'HOLY CRAP, MY EYES!' This one is... well, I would definitely say this one is closer to the second category. The only thing that doesn't push it firmly towards the top is the fact that it was obviously written in profound ignorance rather than actual bigotry and hatred. (There is a lovely scene not posted here where Slam gets the shopkeeper to talk by grabbing him by the hair, brandishing a knife and confidently proclaiming that "the Chinee believe that if you cut off their pigtails they'll never join their ancestors". Do tell.) Really, I wish people who yell about how offensive Ebony White is would take a look at this sort of thing. They want offensive? This is offensive.

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[info]bensanaz
2009-03-25 06:40 am UTC (link)
From Detective Comics #4:

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[info]psychop_rex
2009-03-25 03:13 pm UTC (link)
Uh... yeah. That's offensive, too.

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[info]scottyquick
2009-03-25 04:11 pm UTC (link)
You're starting to sound an awful like those people who go "You want sexist? Women are being raped! Quit bitching about fictional characters!".

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[info]psychop_rex
2009-03-25 05:25 pm UTC (link)
That's not what I meant at all - what I meant is that one shouldn't get so easily offended when it comes to this sort of stuff, because it is dangerously easy to paint the only mildly objectionable with the same brush as the truly bad and offensive, which means that good stuff with a few dated characteristics gets villified because it happens to share certain things with the really sickeningly racist stuff. Therefore, the whole lot gets marked with the stamp of infamy, which is a crying shame, because in amongst the bad is a lot of good. One must keep things in proportion, is all I'm saying.

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