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elmyraemilie ([info]elmyraemilie) wrote in [info]csi_lv_slash,
@ 2008-05-15 22:16:00

Previous Entry  Add to memories!  Tell a Friend!  Next Entry
Current mood: distressed
Entry tags:recap

RECAP: 8X17--For Gedda
Last ep of the season, and they went out with a bang. Two bangs, actually.
1. Choir is singing "The Storm is Almost Past" as pallbearers carry a casket up the hill. The reason the thing is so very heavy soon becomes apparent--two bodies fall through the bottom of the thing. The hitchhiker is a PI we've seen before.
2. Greg says he's got three publishers looking at his book about the Mob in Las Vegas. I wonder if that's going to be an abandoned subplot or if the writers will refer to it again next season.
3. Warrick pays a debt he owes Nick; it strikes Nick odd, but he takes the money. Next scene, we see that Warrick recognizes the extra body in the casket; he's clearly upset. Warrick's not the only one who knew him; the undersheriff (IMDB says McKeen) knew him too, was partnered with him back in the day. The PI's office and car are "clean as a whistle," but Archie finds computer files that show Warrick had hired the PI to investigate Gedda.
4. Gil tries to reach Warrick, but no luck. When Warrick finally calls, Gil's pissed. He's about to get a hell of a shock. Warrick's at Pigalle, and Gedda's dead. It's Warrick's gun that killed him. And the story really starts.
5. Let me back away now. This was a hell of an episode. Well written, well acted (and Gary Dourdan did a great job when they finally gave him something he could work with), well paced. There were some intense visuals. Warrick on his knees, hands cuffed behind him, completely dazed. The expressions on the team's faces as they came to the scene at Pigalle to find Warrick in the back of the cop car. The brilliant orange of the prison garb against the all black-and-blue CSI backdrop. The breakfast scene, everyone laughing and happy, so relieved. And the last scene, which they chose to shoot from a number of angles instead of only the one.
6. George Eads was terrific here. He can't believe that his buddy would do this, and he won't accept it. He takes Hodges to task for talking to IA, even though it's what anyone would have to do. In the meeting in Gil's office, he's ready to jump down Greg's throat for suggesting that they're going to crucify Warrick. He shows us Nick's loyalty without sacrificing Nick's adherence to the truth.
7. The team really pulls together. We get a tiny scrap of Bobby Dawson, some Wendy, that bit of Hodges, and some Henry, who gets to bring the good news. Day shift, in the person of Conrad Ecklie, does what it can--Ecklie shares reports with Gil. Nick and Catherine follow up the organized crime link to the PI slaying, which is clearly related. Wendy and Greg are working on the blood trace. Gil is doing what he does--looking at everything again--when he sees that the ligature marks from the handcuffs on Gedda's wrists don't match the width of Warrick's cuffs. There's a bit of a leap here, but the idea that Brass has suspected a Gedda mole in the department helps to bridge it.
8. After that, it's a matter of matching up cop prints at Pigalle and related to the PI's death. A cop named Pritchard fits the bill. Charges against Warrick are to be dropped.
9. Gil gets to tell Warrick he's a free man. Warrick still has his job, for the time being, anyhow, and when the moment passed and he didn't say, "I quit," I knew he was a dead man. Still, neither he nor Grissom knew, and he pulls Gil into a big bear hug. This time, Gil Grissom knows what to do with a big hug from one of his team. He gives it back, smiling over Warrick's shoulder.
10. The scene at the diner was so clearly a set up for something awful that I kept waiting for the guns to start blazing. Was Pritchard sitting there at the counter? Was the waitress going to be collateral damage? What about the rest of the team? Because it was clear, would have been clear even if I didn't know it was Dourdan's last episode, that Warrick was going to die. One by one they left. When it was only Nick and Warrick left at the table, I thought, "Oh, don't you dare shoot Nick in the process." When Warrick made it to the car and put the key in the ignition, I said, "It's going to be a Godfather--it's going to blow up when he starts it." But no.
11. And now I have to wonder if, for season nine, which is by all reports the last one, they'll deal with that mole in the department that left Warrick dead in his car in an alley, right after he got his life back.

Tough way to end a season, but an undeniably good episode. See you next fall.



(Post a new comment)


[info]mackiedockie
2008-05-16 04:03 am UTC (link)
Oh, Warrick had the red shirt on in this finale.

I admit I was bummed that Warrick was sent to the Great Video Archive In The Sky.

I felt that little "uh-oh" vibe all the way through the restaurant scene. It was very Last Supperish. Did the waitress take 30 pieces of silver to call the mole and give warning that Warrick was leaving alone? Did she keep Nick busy in the meantime?

I do hope that the story arcs well into next season--Grissom and company need to take down this villain all the way.

I hope that Greg is guarding his notes on the Mob and Las Vegas. There's got to be links all the way back to the mole's beat days, maybe even to the old Rampart gang.

(Reply to this) (Thread)


[info]elmyraemilie
2008-05-17 12:44 am UTC (link)
I like the way your brain works. I never thought about the waitress tipping off the sheriff that Warrick was "available." And the Last Supper metaphor is so right.

Good point about Greg and the mob book, too.

If, as has been suggested over at That Other Journal Site, they're going to beard Nick next season, it better not be with that vapid little piece of diner fluff. They need to do right by *one* of their characters' romantic needs. Just once, during the course of the entire show, I'd like to be happy with the significant other of one of the characters.

(Reply to this) (Parent)


[info]azurehart
2008-05-16 05:15 am UTC (link)
I flailed through the last 10 minutes of the episode. I'm just so upset that the CSI franchise's way to get rid of a character is by killing them (I still haven't forgiven them for killing off the Tim Speedle character from CSI: Miami).

(Reply to this) (Thread)


[info]elmyraemilie
2008-05-17 12:47 am UTC (link)
When I looked at the clock as Warrick gave Gil that hug, and there were over five minutes left, I knew Warrick was going to die. I thought that he'd get shot in the diner--there were cops sitting at the counter, I thought. Then I thought when he left, that was it. Then, when he put the keys in the ignition of his car, I said, "Oh, it's going to be a Godfather," but no explosion. They had my complete, focused attention until the last second of footage.

Awful as it was, and shocked/sad as I am to see Warrick killed, that's good TV.

(Reply to this) (Parent) (Thread)


[info]azurehart
2008-05-17 03:37 am UTC (link)
I don't know to me the whole "Warrick is going to die" thing was really telegraphed. Like you as soon as I knew he was going to keep his job that they were going to kill him off. And as soon as the under sheriff walked up to the car I found myself yelling at the screen, "oh come on! You're a CSI for heaven's sake! How do you not know that the weasel is the mole?!?"

(Reply to this) (Parent)


[info]mackiedockie
2008-05-16 06:49 am UTC (link)
Guess CBS doesn't know that it is unlucky to shoot the piano player...

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[info]elmyraemilie
2008-05-17 12:47 am UTC (link)
Muahahaha!

(Reply to this) (Parent)




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